"3.1_2-confidentialhumansource.m2" by Mac Quayle had its release date on August 17, 2018. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 3.1_2-confidentialhumansource.m2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mac Quayle's "Mr. Robot, Vol. 5 (Original Television Series Soundtrack)" album is number 7 out of 26. On top of that, United States appears to be the country where this track was created. 3.1_2-confidentialhumansource.m2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3.1_2-confidentialhumansource.m2 by Mac Quayle to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miguel Takes Money | Hildur Guðnadóttir | C Major | 0 | 8B | 66 BPM | ||
| Thus Speak Thack The Wise | Cliff Martinez | E Minor | 4 | 9A | 68 BPM | ||
| 1.2_2-humanpunchingbag.aiff | Mac Quayle | G Minor | 3 | 6A | 132 BPM | ||
| Alternate Take | Pawel Blaszczak | C Minor | 3 | 5A | 159 BPM | ||
| Wendy and Kay | Jason Hill | F Minor | 0 | 4A | 71 BPM | ||
| Breaking Up | Andrew Hulshult | D Major | 1 | 10B | 103 BPM | ||
| Uråldrig Sorg | Apocryphos | B Minor | 0 | 10A | 59 BPM | ||
| Somebody Save Us | West Dylan Thordson | B♭ Minor | 1 | 3A | 116 BPM | ||
| Humidity Clot | Andrew Hulshult | D Major | 1 | 10B | 103 BPM | ||
| Quiet As A Mouse | Max Richter | A♭ Major | 1 | 4B | 122 BPM | ||
| Kay Escapes | Paul Leonard-Morgan | G Major | 4 | 9B | 95 BPM | ||
| Mare Tranquillitatis | Acoustic Labs | F Major | 4 | 7B | 128 BPM | ||
| I Am Become Death | Ben Salisbury, Geoff Barrow | B♭ Minor | 0 | 3A | 132 BPM | ||
| Human | Atticus Ross | F♯ Major | 0 | 2B | 89 BPM | ||
| 1.6_2-a-way-out.wav | Mac Quayle | C Major | 0 | 8B | 71 BPM | ||
| The Truck | Steve Moore | A Major | 7 | 11B | 134 BPM | ||
| Blacksite Horror | Tim Wynn | D Major | 2 | 10B | 75 BPM | ||
| Lower Hengsha Ambient (Part 1) | Michael McCann | C Major | 2 | 8B | 114 BPM | ||
| Uprising Overture | Kristian Sønderlund Ross, EVE Online Music | A♭ Major | 4 | 4B | 130 BPM | ||
| Neon | Inon Zur | G Major | 4 | 9B | 140 BPM | ||
| Gordon Steals a Cabbage Patch | Paul Haslinger | C Major | 0 | 8B | 78 BPM | ||
| Detroit City Ambient (Part 1) | Michael McCann | C Major | 1 | 8B | 90 BPM | ||
| Entering TYM | Michael McCann | C Major | 2 | 8B | 100 BPM | ||
| Matt and Ethan | Mark Korven | G Major | 0 | 9B | 71 BPM | ||
| Wild Moose | Atticus Ross, Leopold Ross | F♯ Major | 3 | 2B | 105 BPM |