"シューベルトのセレナード(小夜曲)" by 藤原義江 had its release date on October 14, 2009. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. シューベルトのセレナード(小夜曲)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ノイズレスSPアーカイヴズ 乾杯の歌/藤原義江〈洋楽編〉, so we believe that "シューベルトのセレナード(小夜曲)" is a single. シューベルトのセレナード(小夜曲) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of シューベルトのセレナード(小夜曲) by 藤原義江 is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sérénade à Watteau | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| いとしあの星 | 渡辺はま子 | F Minor | 4 | 4A | 110 BPM | ||
| I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Chotis del elíseo | Federico Chueca, Ataúlfo Argenta, Ana Maria Iriarte, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado | C Major | 3 | 8B | 123 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Paloma y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | D Major | 3 | 10B | 75 BPM | ||
| 箱根の山(箱根八里) | 藤原義江 | D Major | 1 | 10B | 116 BPM | ||
| Señorita (セニョリータ) | Koichi Sugii | F Minor | 3 | 4A | 118 BPM | ||
| Nono Mandamento | Vicente Celestino | B♭ Major | 3 | 6B | 86 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Nina | Giovanni Battista Pergolesi, Visti Hald, Ulrich Staerk | F Major | 4 | 7B | 140 BPM | ||
| この道 | 藤原義江 | F♯ Major | 1 | 2B | 102 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "C'est elle ! Elle vient" (Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Orchestre du Theatre National de IOpera-Comique | D Minor | 8 | 7A | 140 BPM | ||
| La Madelon (Quand Madelon) [Female Vocal] | Louis Bousquet, Sound Souvenirs | B Major | 2 | 1B | 115 BPM | ||
| Paysage sentimental | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| Laudaste Dóminum, monedas gentes (salmo 116) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| シナの夜 | 渡辺はま子 | D Major | 3 | 10B | 171 BPM | ||
| La del soto del parral: Ronda de enamorados | Reveriano Soutullo, Juan Vert, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | D Major | 0 | 10B | 73 BPM | ||
| Faure: Claire de Lune | Gérard Souzay | B♭ Minor | 1 | 3A | 71 BPM | ||
| On Songhua River | The Chinese Red Army Choir | G Minor | 3 | 6A | 66 BPM | ||
| 母は恋しや旅の空 | 藤原義江 | D♭ Minor | 2 | 12A | 71 BPM | ||
| La vida alegre | María Conesa | E♭ Minor | 4 | 2A | 167 BPM | ||
| I pescatori di perle: Mi par d'udire ancor | Beniamino Gigli | A Major | 1 | 11B | 80 BPM | ||
| Dicitencello vuie (Orch. L. Logi) | Rodolfo Falvo, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | B♭ Minor | 1 | 3A | 139 BPM | ||
| Cuore mio | Fabrizio Cesare, Antonello Bille | D♭ Major | 4 | 3B | 130 BPM | ||
| Nenné | Dolce Vita | E Minor | 3 | 9A | 80 BPM |