On September 26, 2025, the song "'O surdato 'nnammurato" was released by Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. 'O surdato 'nnammurato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Serenata a Napoli". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 'O surdato 'nnammurato's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 'O surdato 'nnammurato by Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vedrai vedrai | Alessandro Haber, Sergio Cammariere | A Minor | 1 | 8A | 72 BPM | ||
| Rigoletto, Act III: Bella figlia dell'amore | Giuseppe Verdi, Oksana Volkova, Francesco Demuro, Nadine Sierra, Dmitri Hvorostovsky, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 2 | 3B | 68 BPM | ||
| Dowland: Second Book of Songs or Ayres: No. 3, Sorrow, Stay | John Dowland, Thomas Dunford, Lea Desandre, Jupiter | B Minor | 1 | 10A | 68 BPM | ||
| Mozart: Die Zauberflöte, K. 620, Act 2: Duett. "Pa-Pa-Pa-Papagena" (Papageno, Papagena) | Wolfgang Amadeus Mozart, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen, Elisabeth Boudreault | D Major | 2 | 10B | 111 BPM | ||
| Come ye sons of art, Z. 323: Strike the viol - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | E Minor | 2 | 9A | 139 BPM | ||
| Villanella ch'a ll'acqua vai | Roberto Murolo | D Major | 1 | 10B | 101 BPM | ||
| Giuditta: Freunde, das Leben ist lebenswert | Franz Lehár, Wiener Philharmoniker, Tugan Sokhiev, Piotr Beczala | C Major | 1 | 8B | 89 BPM | ||
| Vedrò | Antonio Vivaldi, Jakub Józef Orliński, Aleksander Debicz, Wojciech Gumiński, Marcin Ułanowski | A Minor | 7 | 8A | 130 BPM | ||
| Rigoletto, Act II: Ah! Piangi, fanciulla, piangi | Giuseppe Verdi, Dmitri Hvorostovsky, Nadine Sierra, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 2 | 3B | 82 BPM | ||
| Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo | Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | D♭ Major | 0 | 3B | 141 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
| Addio a Venezia | Italian Vintage | B♭ Major | 0 | 6B | 124 BPM | ||
| Trois mélodies, Op. 7: No. 1, Après un rêve | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| Mandulinata a mare | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | A Major | 2 | 11B | 89 BPM | ||
| Il mare | Sergio Cammariere | C Major | 3 | 8B | 116 BPM | ||
| Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 130 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | B♭ Major | 0 | 6B | 124 BPM | ||
| 12 Romances, Op. 21: VII. How Fair this Spot | Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas | F Minor | 1 | 4A | 73 BPM | ||
| Handel: Partenope, HWV 27, Act 3: "Nobil core che ben ama" (Armindo) | George Frideric Handel, Philippe Jaroussky, Riccardo Minasi, Il Pomo D'oro | D♭ Major | 2 | 3B | 81 BPM | ||
| Hiraeth | Isata Kanneh-Mason, The Kanneh-Masons | E Minor | 0 | 9A | 80 BPM | ||
| Cheek to Cheek | Irving Berlin, Pierre Génisson, Bruno Fontaine, Fabrice Moreau, Benoît Dunoyer de Segonzac | C Major | 1 | 8B | 141 BPM | ||
| Il était là ! | Pierre-Jean Garat, Coline Dutilleul, Pernelle Marzorati | F♯ Minor | 0 | 11A | 169 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 1: "Ah! Belinda, I Am Pressed with Torment" (Dido) | Henry Purcell, Maxim Emelyanychev, Il Pomo D'oro, Joyce DiDonato | F♯ Minor | 0 | 11A | 172 BPM | ||
| Marie-Galante ou l'Exil sans retour: Youkali [part 1] (Arr. for Countertenor & String Quartet by Eric Mouret) | Kurt Weill, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM |