Tapsiram Rathod's ' "Maneri Bhutadi" was released on its scheduled release date, May 13, 1999. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Maneri Bhutadi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tapsiram Rathod's "Garibero Beta Khadkoni Kharo" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Maneri Bhutadi is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Maneri Bhutadi by Tapsiram Rathod to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhajre Manva | Tapsiram Rathod | A♭ Major | 5 | 4B | 101 BPM | ||
| Mala Sodun Geli | Shiva Mhatre, Sankita Wadekar | E♭ Minor | 6 | 2A | 80 BPM | ||
| Lut Liye Dal Taro | Gulab Chavhan, Vaishali Rathod | F♯ Major | 8 | 2B | 144 BPM | ||
| Kana Aai Chi Mar Ghar Hath Maro Mangen | Anil Chavhan, Sangita Rathod | A Major | 8 | 11B | 112 BPM | ||
| Mar Doei Balakwa Chaeire | Tapsiram Rathod | B Major | 9 | 1B | 114 BPM | ||
| Kasachya Bajari Manorchya Bajari | Prakash Padwale, Shashi Guhe | F♯ Minor | 9 | 11A | 88 BPM | ||
| Sawan Mahina Ma 2 (Female Version) | Shreyashi Roy, Suraj Pachunde | B♭ Minor | 8 | 3A | 168 BPM | ||
| Tu Mala G Sodlyavar Zali Daru Mazi Lover | Pritesh Bhoir | G Major | 9 | 9B | 89 BPM | ||
| Yedamay Maya Lav God Gula Vani | Ranjit Khandagale | A♭ Minor | 9 | 1A | 135 BPM | ||
| Tuze Ni Maze Nate | Yuvraj Pradhan | D♭ Major | 10 | 3B | 119 BPM | ||
| Maanjh Saman Gheun | Anand Shinde | G Major | 7 | 9B | 158 BPM | ||
| Naita urri khursi re daisni | Vaishali Samant, Tapsiram Rathod | B Major | 9 | 1B | 114 BPM | ||
| Dev Tuna Dhanda Le Barkat Dev | Bhaiya More | F♯ Major | 7 | 2B | 90 BPM | ||
| Mutayalya Kendairi Haith Pustyakero Padoi | Tapsiram Rathod | A♭ Minor | 2 | 1A | 121 BPM | ||
| Majhya Bhimachya Navavar | Milind Shinde | A Minor | 7 | 8A | 88 BPM | ||
| Zindagi Mani Hai Tuna Naav Se | Jagdish Sandhanshiv, Anjana Barlekar | A Major | 9 | 11B | 122 BPM | ||
| Mi Murali Malharichi Jhale | Shivani Shinde, Sachin Jadhav | G Minor | 6 | 6A | 110 BPM | ||
| Dhangarachya Banula Ghari Aanl Malharin | Ganesh Aswar, Vikas Salve | A Minor | 8 | 8A | 130 BPM | ||
| Prem Kraychay Tar lagin Karav Lagl | Swar Dhanashree, Akshay Garadkar | G Major | 9 | 9B | 140 BPM | ||
| Kay Zadi Kay Dongar Kay Hotel Sar Ok Cha Hay Mi (Feat,Ram Patil) | Rani Maske, Ashish Shinde | F♯ Minor | 7 | 11A | 75 BPM | ||
| Kay Karu Kay Nahi | Yuvraj Pradhan | B♭ Minor | 5 | 3A | 142 BPM | ||
| Ghoongroo Wajal | Sonali Sonawane, Akash Misal | A♭ Minor | 5 | 1A | 146 BPM | ||
| Bhakt Vatatay Karlyavala | Akshay Anant Patil | C Minor | 7 | 5A | 100 BPM | ||
| Sonychi Suphali Motyane Guphali | Ashish Mhatre, Sapna Patil | A♭ Major | 6 | 4B | 91 BPM | ||
| Aadva Dongar | Mayur Naik | A♭ Minor | 9 | 1A | 142 BPM |