Aníbal Troilo's ' "Tapera" was released on its scheduled release date, April 10, 2012. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 70 in the song's album "The Roots of Tango - Príncipe". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Tapera is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tapera by Aníbal Troilo having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bar Exposicion | Florindo Sassone Y Su Gran Orq. Tipica | A Major | 3 | 11B | 116 BPM | ||
| Amémonos | Alfredo Gobbi | D Minor | 5 | 7A | 121 BPM | ||
| Pasional | Osvaldo Pugliese, Alberto Morán | F Minor | 4 | 4A | 87 BPM | ||
| Una Vez | Orquesta Tipica Victor | G Major | 2 | 9B | 125 BPM | ||
| Amarras | Juan D'Arienzo, Héctor Mauré | D Minor | 5 | 7A | 121 BPM | ||
| Maria | Alberto Marino | F Minor | 3 | 4A | 117 BPM | ||
| Jiron de suburbio | Ricardo Tanturi y Enrique Campos | G Minor | 3 | 6A | 122 BPM | ||
| Una Pena | Angel D'Agostino Y Su Orquesta Típica | B♭ Major | 2 | 6B | 127 BPM | ||
| Amarras | Juan D'Arienzo, Héctor Mauré | D Major | 4 | 10B | 122 BPM | ||
| Mi Dolor | La Santa Calavera, Ariel Varnerin | D♭ Major | 7 | 3B | 120 BPM | ||
| Pena gaucha | Orquesta Roberto Firpo, Carlos Varela, Enrique Forte, Armando Acquarone, Rafael José Velich | C Major | 2 | 8B | 78 BPM | ||
| Somos Como Somos | Eladia Blazquez | C Major | 3 | 8B | 81 BPM | ||
| Asi se canta | Ricardo Tanturi y Enrique Campos | F Minor | 4 | 4A | 123 BPM | ||
| No hay tierra como la mia | Julio De Caro, Héctor Farrel | A Major | 3 | 11B | 102 BPM | ||
| Garua | Alberto Gomez | D Minor | 5 | 7A | 121 BPM | ||
| Invierno | Cuarteto Mulenga | A Major | 4 | 11B | 123 BPM | ||
| Mi dolor | Hyperion Ensemble, Ruben Peloni | D Minor | 4 | 7A | 138 BPM | ||
| Remembranza | La Juan D'Arienzo | C Major | 4 | 8B | 135 BPM | ||
| Fuimos | Osvaldo Pugliese, Roberto Chanel | F Major | 3 | 7B | 117 BPM | ||
| El Buey Solo | Orquesta Típica Tanturi | A♭ Major | 4 | 4B | 141 BPM | ||
| Milonga de mis amores - Remastered | Francisco Canaro Y Su Orquesta Tipica | A♭ Major | 4 | 4B | 83 BPM | ||
| Fumando Espero | Roberto Florio, Orquesta Carlos di Sarli | G Minor | 4 | 6A | 102 BPM | ||
| Gloria | Nina Miranda, Donato Racciatti y Su Orquesta Típica | G Minor | 5 | 6A | 130 BPM | ||
| Quedemonos aqui | Jose Basso, Floreal Ruiz | A♭ Major | 3 | 4B | 118 BPM | ||
| Milonguero Viejo | Orquesta Típica Fernández Fierro | E Minor | 2 | 9A | 115 BPM |