Ornette Coleman Trio's 'Wedding Day' had a release date set for October 24, 2018. This song appears to be safe for all ages as it is not explicit. The track order of this song in Ornette Coleman Trio's "Live Free Trade Hall Manchester 1966" album is number 5 out of 7. In terms of popularity, Wedding Day is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Wedding Day by Ornette Coleman Trio to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ruby, My Dear | Thelonious Monk Septet | F Minor | 1 | 4A | 130 BPM | ||
| Steps | Cecil Taylor | D♭ Minor | 7 | 12A | 128 BPM | ||
| Thedia - 2007 Digital Remaster/Rudy Van Gelder Edition | Thad Jones | G Major | 3 | 9B | 88 BPM | ||
| By Myself | The Art Farmer Quartet | G Minor | 2 | 6A | 143 BPM | ||
| The Blues And I | Tina Brooks | F Minor | 4 | 4A | 103 BPM | ||
| Hobo Joe | Johnny Coles | E♭ Major | 4 | 5B | 142 BPM | ||
| Ruthie's Heart | Charles Tolliver, Stanley Cowell | B♭ Minor | 3 | 3A | 71 BPM | ||
| Unit Structure/As Of A Now/Section | Cecil Taylor | D♭ Major | 5 | 3B | 82 BPM | ||
| Ye Hypocrite, Ye Beelzebub | George Russell | B♭ Minor | 5 | 3A | 118 BPM | ||
| Groovesville | Dizzy Reece | F Minor | 5 | 4A | 97 BPM | ||
| A Ghost Of A Chance | Dizzy Reece | C Major | 2 | 8B | 104 BPM | ||
| A November Afternoon | Art Farmer & Benny Golson Jazztet | F Minor | 5 | 4A | 115 BPM | ||
| Saturn #2 | Sun Ra & His Arkestra | A♭ Major | 4 | 4B | 142 BPM | ||
| We Diddit | Mal Waldron, Eric Dolphy, Booker Ervin | A♭ Major | 5 | 4B | 143 BPM | ||
| Walk On | Henry Grimes Trio | A Major | 2 | 11B | 60 BPM | ||
| The Quota | Jimmy Heath | F Minor | 3 | 4A | 104 BPM | ||
| Teeter Totter - Rudy Van Gelder 24-Bit Remastering/2000 | Joe Henderson | F Minor | 7 | 4A | 125 BPM | ||
| Die Weisheit von Le Comte Lautréamont | Tomasz Stańko, Bobo Stenson, Anders Jormin, Tony Oxley | C Minor | 3 | 5A | 119 BPM | ||
| Number 7 - Live At Pep's Lounge, Philadelphia / 1964 | Yusef Lateef | D♭ Major | 9 | 3B | 126 BPM | ||
| Nobody's Heart | Gil Evans | E Major | 0 | 12B | 59 BPM | ||
| Black Hands Bejewelled | Henry Threadgill | D Major | 5 | 10B | 94 BPM | ||
| Off Minor (Take 5) | Thelonious Monk Septet | A♭ Major | 2 | 4B | 78 BPM | ||
| Chi-Chi - Take 3 / Alternate | Charlie Parker Quartet | A♭ Major | 5 | 4B | 111 BPM | ||
| Memories Of You | Sonny Criss | E♭ Major | 4 | 5B | 77 BPM | ||
| Wedding Day | Ornette Coleman Trio | G Major | 2 | 9B | 119 BPM |