David Porter's ' "Introduction (To Victim Of The Joke)" was released on its scheduled release date, January 1, 1971. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Victim Of The Joke?...An Opera by David Porter. The song's track number on the album is #1 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Introduction (To Victim Of The Joke) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Introduction (To Victim Of The Joke) by David Porter has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Introduction (To Victim Of The Joke) being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Can Understand It | The New Birth | A♭ Minor | 8 | 1A | 125 BPM | ||
| You Can't Keep Running From My Love | Otis Clay | E♭ Major | 5 | 5B | 92 BPM | ||
| Everything Good to You (Ain't Always Good for You) | B.T. Express | B Minor | 7 | 10A | 117 BPM | ||
| Sweetest Thing in the World | Turner Brothers | B Minor | 7 | 10A | 96 BPM | ||
| I Forgot To Be Your Lover | The Mad Lads | G Minor | 3 | 6A | 146 BPM | ||
| Concerto for Tuba: II. Spiritual | Anthony O’Toole, David Porter | A♭ Major | 0 | 4B | 70 BPM | ||
| Synopsis Two: Mother's Day | 24 Carat Black | F Minor | 7 | 4A | 96 BPM | ||
| Don't Stop Dancing (To The Music) - Pt. I | The Bar-Kays | D Major | 6 | 10B | 139 BPM | ||
| Move Over | The Soul Children | D♭ Major | 4 | 3B | 141 BPM | ||
| Oh Baby, You Can Depend on Me | Luther Ingram | D Major | 5 | 10B | 128 BPM | ||
| I'll Be The Other Woman | The Soul Children | G Major | 1 | 9B | 131 BPM | ||
| Dream Merchant | The New Birth | F Minor | 6 | 4A | 152 BPM | ||
| Get Up And Get Down - 45 Version | The Dramatics | D♭ Minor | 6 | 12A | 100 BPM | ||
| I Got Love | Charles Wright & The Watts 103rd Street Rhythm Band | G Major | 6 | 9B | 102 BPM | ||
| I've Never Begged Before | The Originals | C Major | 4 | 8B | 95 BPM | ||
| Zimba Ku | Black Heat | B♭ Major | 6 | 6B | 90 BPM | ||
| I'll Never Sail The Sea Again | Detroit Emeralds | B Major | 4 | 1B | 102 BPM | ||
| A Change Is Going To Come | Baby Huey | F♯ Minor | 3 | 11A | 105 BPM | ||
| Do Your Thing | Lyn Collins | A♭ Minor | 7 | 1A | 148 BPM | ||
| The Breakdown - Pt. 1 | Rufus Thomas | A Minor | 8 | 8A | 97 BPM | ||
| Advice | Sly & The Family Stone | A♭ Major | 7 | 4B | 100 BPM | ||
| If It Don't Turn You On (You Oughta Leave It Alone) | B.T. Express | D Major | 6 | 10B | 197 BPM | ||
| When The Chips Are Down | David Porter | D♭ Major | 5 | 3B | 148 BPM | ||
| Shadow in Your Footsteps | Barbara Stant | G Minor | 6 | 6A | 184 BPM | ||
| Introduction (To Victim Of The Joke) | David Porter | B♭ Minor | 3 | 3A | 96 BPM |