"Apotheosis: A Glorification" by Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call had its release date on 2002. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Apotheosis: A Glorification's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Three Sacred Works". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Apotheosis: A Glorification is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Apotheosis: A Glorification by Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S. Pinafore / Act 2: Farewell, my own | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 89 BPM | ||
| Were You There | Traditional, London Philharmonic Choir, John Alldis, National Philharmonic Orchestra | E♭ Major | 0 | 5B | 80 BPM | ||
| Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
| Apotheosis: A Glorification | Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call | B♭ Major | 2 | 6B | 80 BPM | ||
| Attende Domine | Marco Frisina | D Major | 2 | 10B | 92 BPM | ||
| The Marriage of Figaro, K. 492, Act IV: Finale - Contessa perdono | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| Requiem: IV. Sanctus | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 1 | 7B | 78 BPM | ||
| Judas Maccabaeus, HWV 63: Sing Unto God | George Frideric Handel, Eugene Ormandy, The Tabernacle Choir at Temple Square, Philadelphia Orchestra | C Major | 3 | 8B | 91 BPM | ||
| Jubilate Deo: II. Ve adthdor vador | Rivertree Singers Festival Chorus, Nikki Eoute, Laura Brundage, Warren Cook, Rivertree Singers | G Major | 2 | 9B | 65 BPM | ||
| My Lord, What a Mornin' (arr. H.H.T. Burleigh) | Harry Burleigh, Traditional, Choral Arts, Robert Bode | E♭ Major | 0 | 5B | 79 BPM | ||
| Sanft weht ein Hauch überm Meer - Version 2 | Traditional, Kinderchor Der Staatsoper Stuttgart, Lotus String Quartet, Johannes Knecht | F Major | 1 | 7B | 89 BPM | ||
| Yo le Canto todo el Dia | David L. Brunner, Sacramento Master Singers, Clifford Shockney, Heidi van Regenmorter, Ralph E. Hughes | E Minor | 4 | 9A | 119 BPM | ||
| Pass Me Not, O Gentle Saviour | Choir of the New Apostolic Church, Cape Town | G Major | 1 | 9B | 78 BPM | ||
| The Apothecary | Bear McCreary | B♭ Major | 1 | 6B | 78 BPM | ||
| ふるさと | 合唱団 京都エコー | G Major | 1 | 9B | 76 BPM | ||
| Stabat Mater, FP 148: 7. Eja mater | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E♭ Major | 3 | 5B | 98 BPM | ||
| Transfigurations: II. Photon | Christopher Tin, Kantorei, Alicia Rigsby, Dylan Tyree, David Short, Nicholas Recuber, Remy Le Boeuf | B Major | 1 | 1B | 138 BPM | ||
| Witch Hunters - Live at Video Game Show 2016 | Marcin Przybyłowicz, Mikołaj Stroiński, AUKSO Orchestra, Wioletta Chodowicz | E♭ Major | 2 | 5B | 81 BPM | ||
| Jubilate Deo: III. Ta cao chang de yang | Rivertree Singers Festival Chorus, Heather Huron, Warren Cook, Rivertree Singers | C Major | 1 | 8B | 169 BPM | ||
| Wings | Warsaw Philharmonic Orchestra | B♭ Major | 1 | 6B | 109 BPM | ||
| Nunc dimittis in C | Charles Villiers Stanford, The King's Consort, Robert King | B♭ Major | 1 | 6B | 82 BPM | ||
| Life Is Fleeting (Live) | Shen Yun Symphony Orchestra | G Major | 3 | 9B | 144 BPM | ||
| Take up Your Cross, The Savior Said | Beckenhorst Singers, Craig Courtney, Dan Forrest | D♭ Minor | 2 | 12A | 107 BPM | ||
| Old Folks at Home | Stephen Foster, Grant Williams, Robert Shaw Chorale, Robert Shaw | D Major | 2 | 10B | 168 BPM | ||
| No. 4, Sometimes I Feel Like a Motherless Child | John Rutter, Melanie Marshall, The Cambridge Singers, BBC Concert Orchestra, Victoria Walpole | A♭ Major | 0 | 4B | 76 BPM |