Apotheosis: A Glorification by Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call Song Details

"Apotheosis: A Glorification" by Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call had its release date on 2002. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Three Sacred Works". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Apotheosis: A Glorification is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Apotheosis: A Glorification by Ricks College Collegiate Singers & Chamber Orchestra, Kevin Call having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Music Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.755 dB
Acousticness: 87%
Danceability: 14%
Energy: 23%
Instrumentalness: 0%
Liveness: 26%
Loudness: 74%
Speechiness: 4%
Valence: 16%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 5, On the Alm	Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman	E♭ Major	1	5B	78 BPM
West Side Story: 9. One Hand, One Heart	Leonard Bernstein, Kiri Te Kanawa, José Carreras	F♯ Major	0	2B	66 BPM
Ode To Joy - Spanish Version	Ludwig van Beethoven, The Priests	E Major	3	12B	134 BPM
Love: Then and Still (Live)	Susan LaBarr, 2020 IMEC Honors Chorus, Jeremy Jones, William Buhr	E Major	0	12B	84 BPM
Requiem, Op. 9 (1961 version): Sanctus	Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal	G Minor	1	6A	136 BPM
O Fortuna (from Carmina Burana)	Carl Orff, André Rieu, The Platin Tenors, Johann Strauss Orchestra, Carmen Monarcha, Mirusia, Suzan Erens	D Minor	4	7A	82 BPM
2. Iolanthe! From thy dark exile	Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey	E Major	1	12B	140 BPM
Agnus Dei (from 'A Little Jazz Mass') - SATB	Bob Chilcott, The Oxford Choir	F Minor	1	4A	118 BPM
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna	Carl Orff, Franz Welser-Möst, London Philharmonic Choir, London Philharmonic Orchestra	A♭ Major	2	4B	84 BPM
H.M.S. Pinafore / Act 2: Farewell, my own	Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey	C Major	2	8B	89 BPM
God That Madest Earth And Heaven	London Philharmonic Choir	G Major	1	9B	74 BPM
I'll Never Study (Live)	Paul David Thomas, Texas Woman's University Concert Choir, Joni Jensen, I-Ching Chen	G Minor	2	6A	141 BPM
Come To The Music	Cincinnati Choral Society	D Major	2	10B	84 BPM
Adams: Nixon in China: Act I, Scene 1 - "The People Are the Heroes Now"	John Adams, Edo de Waart, Orchestra of St. Luke's	A♭ Minor	0	1A	136 BPM
Requiem, Op. 9: VIII. Libera me	Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Christophe Gautier, Henri Chalet, Alice Korovitch	B♭ Major	0	6B	131 BPM
Tantum ergo, Op. 55	Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard	A Major	1	11B	78 BPM
Le Matin	Goran Bregović	D♭ Minor	0	12A	81 BPM
Goin' Home	Antonίn Dvořák, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop	A Major	4	11B	87 BPM
II. Andante	John Rutter, Mary Seers, Mary Hitch, Caroline Ashton, The Cambridge Singers, John Scott, Gary Kettel, Eric Allen, The Philip Jones Brass Ensemble	A♭ Major	0	4B	75 BPM
The Armed Man - A Mass For Peace: VIII. Angry Flames	Karl Jenkins, Mike Brewer, London Philharmonic Orchestra	E Minor	1	9A	70 BPM
Hino 234 - O Meu Ser Entrego a Cristo (Ensaio Regional CCB Cascavel)	CCB Orquestrado	D Major	3	10B	70 BPM
Nunc dimittis in C	Charles Villiers Stanford, The King's Consort, Robert King	B♭ Major	1	6B	82 BPM
Were You There?	The Tabernacle Choir at Temple Square	B♭ Major	3	6B	125 BPM
Carmina Burana / 3. Cour d'amours: "Veni, veni, venias"	Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti	D Minor	6	7A	154 BPM
Hino 409 - Breve Voltará Jesus Cristo	Orquestra Sacra Paulista	G Major	1	9B	67 BPM