- BPM
- 160
- Key
- E Major
- Camelot
- 12B
Deep River II by Samuel Coleridge-Taylor, Ashley Jackson Song Details
"Deep River II" by Samuel Coleridge-Taylor, Ashley Jackson had its release date on February 7, 2025. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Deep River II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 2 in Deep River by Samuel Coleridge-Taylor, Ashley Jackson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Deep River II is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Deep River II by Samuel Coleridge-Taylor, Ashley Jackson is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
Music Key
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 30%
- Loudness
- -29.416 dB
- Acousticness
- 99%
- Danceability
- 29%
- Energy
- 2%
- Instrumentalness
- 94%
- Liveness
- 15%
- Loudness
- 51%
- Speechiness
- 5%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto for Clarinet and Orchestra in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Alan Gilbert, Wenzel Fuchs | D Major | 0 | 10B | 91 BPM | |
 | Nocturne No. 16 in C Major, H. 60 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | |
 | Couperin, F: Second livre de pièces de clavecin, Sixième ordre: V. Les baricades mistérieuses | François Couperin, David Fray | B♭ Major | 0 | 6B | 75 BPM | |
 | Valse Suite, Op. 71, "Three-fours": II. Andante | Samuel Coleridge-Taylor, Waka Hasegawa | C Minor | 2 | 5A | 116 BPM | |
 | Track 1 | Eunike Tanzil, Deutsches Symphonie-Orchester Berlin, Anna Handler | D Major | 3 | 10B | 63 BPM | |
 | Étude No. 3: Ballade | Marie Awadis | D♭ Major | 0 | 3B | 127 BPM | |
 | Puccini: Gianni Schicchi: "O mio babbino caro" (Instrumental Version) | Giacomo Puccini, Camille Berthollet, Romain Dumas, Orchestre National Bordeaux Aquitaine | A♭ Major | 2 | 4B | 177 BPM | |
 | Ravel: Pavane pour une infante défunte, M. 19 (Arr. Lenaerts for Harp) | Maurice Ravel, Anneleen Lenaerts | E Minor | 0 | 9A | 109 BPM | |
 | Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears") | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | |
 | Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | F Major | 0 | 7B | 81 BPM | |
 | Dzonot: IV. El vuelo de Toh | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Alisa Weilerstein | F Major | 4 | 7B | 129 BPM | |
 | Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 86 BPM | |
 | Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | |
 | Children's Album, Op. 39: No. 21, Sweet Dreams | Pyotr Ilyich Tchaikovsky, Daniil Trifonov | D Major | 2 | 10B | 102 BPM | |
 | Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 4. Forlana | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | F♯ Major | 1 | 2B | 103 BPM | |
 | 3 Songs, Op. 7: 1. Après un rêve (Transcr. Y. Kondonassis) | Gabriel Fauré, Yolanda Kondonassis | F Minor | 0 | 4A | 100 BPM | |
 | Etude No. 16 | Philip Glass, Joanna Sochacka | G Minor | 0 | 6A | 66 BPM | |
 | Concerto for Violin and Orchestra (To the memory of my mother): I. Lento, ma non troppo | Ina Boyle, Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | A Minor | 2 | 8A | 80 BPM | |
 | 4 Characteristic Waltzes, Op. 22: No. 1 Valse Bohemienne | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | E Minor | 1 | 9A | 81 BPM | |
| Étude No. 10: Void | Marie Awadis | C Minor | 0 | 5A | 69 BPM | |
 | Lyric Pieces, Book 1, Op. 12: No. 1, Arietta (Arr. Lewin for Guitar) | Edvard Grieg, Alexandra Whittingham | D Major | 0 | 10B | 152 BPM | |
 | 12 Klavierstücke für kleine und große Kinder, Op. 85: No. 12, Abendlied (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Minor | 2 | 2A | 81 BPM | |
 | Puccini: Vissi d'Arte - Olivia Belli Rework | Olivia Belli | E♭ Major | 0 | 5B | 65 BPM | |
 | Mozart Piano Concerto Variation (After Piano Concerto No. 27 in B-Flat Major, K. 595, II. Larghetto) [Arr. for Piano by Jan-Peter Klöpfel) | Wolfgang Amadeus Mozart, Jan-Peter Klöpfel, Louis Philippson | E♭ Major | 1 | 5B | 119 BPM | |
 | Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM |
- ISRC
- USUM72500076
- Label
- L-M Records/RCA Records