On May 4, 2020, the song "Dhadkan Dhadak Rahal Ba" was released by Mithlesh Raj, Karishma Raj. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 20 in Achara Me Bandh Ke Le Gailu Dil by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Dhadkan Dhadak Rahal Ba is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Dhadkan Dhadak Rahal Ba by Mithlesh Raj, Karishma Raj is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shamshan Ki Holi | Jhullur Dada | B♭ Minor | 9 | 3A | 101 BPM | ||
| Dhadkan Dhadak Rahal Ba | Mithlesh Raj, Karishma Raj | A♭ Minor | 10 | 1A | 160 BPM | ||
| Gam Ke Adhikari | Poonam Mishra | A♭ Major | 9 | 4B | 130 BPM | ||
| Jakhanhi Shaiya Deh Chuto Ge Sona | Dilip Darbhangiya | B♭ Minor | 10 | 3A | 150 BPM | ||
| Aam Khayke Dekhli | Satish Das | F♯ Minor | 7 | 11A | 144 BPM | ||
| Saiya Robo Hai Sakhi | Ashish Yadav | C Major | 9 | 8B | 86 BPM | ||
| Savar Ki Gor | Udit Narayan, Aradhana Mishra | C Major | 9 | 8B | 97 BPM | ||
| Karle Mor Sang Pyar | Gorelal Barman | F♯ Major | 6 | 2B | 123 BPM | ||
| Deswa Chhodi Ke | Khesari Lal Yadav, Priyanka Singh | A♭ Major | 8 | 4B | 148 BPM | ||
| Saheb Kahi Ta Utha Lihal Jao | Alok Kumar, Rekha Rao | B♭ Minor | 10 | 3A | 145 BPM | ||
| Honthon Par Mohabbat Ke Tarane Nahi Aate | Naim Sabri | E♭ Major | 9 | 5B | 95 BPM | ||
| Ankh Na Mila Paibu Ho (Lofi) | Pawan Singh | B Minor | 8 | 10A | 135 BPM | ||
| Ka Di Udhaghatan Dori Kheech Ke | Khesari Lal Yadav, Kalpana Patowary | A♭ Minor | 10 | 1A | 112 BPM | ||
| Goli Maare Chhe Sare Aam Ge | Prince Priya | F♯ Minor | 10 | 11A | 150 BPM | ||
| Khatu Ke Raja | PS Polist | B Major | 8 | 1B | 140 BPM | ||
| Fagunhata Samajh Mein Aaye | MANOJ TIWARI | A♭ Major | 8 | 4B | 72 BPM | ||
| Nibhayaim A Sasurji | Kalpana Patowary | A♭ Minor | 7 | 1A | 96 BPM | ||
| Mayake Me Bigad Gayi Bela Kha Kha Ke Santara Kela | Jittu Khare Badal | B Major | 9 | 1B | 118 BPM | ||
| Sahar Siwan Mein Ho Jaai Maar | Radhe Shyam Rasiya | G Minor | 7 | 6A | 76 BPM | ||
| Godiya Mein Humra Ke Uthalin | Pawan Singh, Kalpana Patowary | B Minor | 8 | 10A | 80 BPM | ||
| Hilora Mare Jawaniya Na | Dinesh Lal Yadav, Kalpana | F Minor | 9 | 4A | 140 BPM | ||
| Beetal Jaaye Ratiya Suhani | Kalpana Patowary, Pamela Jain | E♭ Major | 8 | 5B | 126 BPM | ||
| Bada Quatil Kajarwa | Diwakar Dwivedi | F Minor | 9 | 4A | 126 BPM | ||
| Kashi Ki Holi | Jhullur Dada | D♭ Major | 9 | 3B | 150 BPM | ||
| Mithila Nagariya | Dilip Darbhangiya | F Minor | 8 | 4A | 101 BPM |