On February 25, 1996, the song "Hang On Sloopy" was released by The Remains. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 13 in A Session With The Remains by The Remains. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Hang On Sloopy's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Hang On Sloopy by The Remains is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hang On Sloopy | The Remains | E Major | 7 | 12B | 127 BPM | ||
| The Crusher | Novas | A Major | 6 | 11B | 129 BPM | ||
| Tom Tom | The Creation | E Major | 9 | 12B | 118 BPM | ||
| Why Pick On Me | The Standells | F Minor | 8 | 4A | 99 BPM | ||
| Friday At The Hideout | The Underdogs | B Minor | 8 | 10A | 158 BPM | ||
| Under My Thumb With April Silva | The Brymers | B Minor | 5 | 10A | 121 BPM | ||
| Johnny Was a Good Boy | Mystery Trend | C Major | 5 | 8B | 137 BPM | ||
| Circles | Fleur De Lys | E♭ Major | 9 | 5B | 132 BPM | ||
| You Never Told Me Why | The Remains | A Major | 6 | 11B | 134 BPM | ||
| Masculine Intuition | The Music Machine | A Minor | 7 | 8A | 203 BPM | ||
| The People In Me | The Music Machine | A♭ Major | 8 | 4B | 136 BPM | ||
| She Ain't No Use to Me | The Ugly Ducklings | C Major | 8 | 8B | 116 BPM | ||
| I'm So Glad | The Litter | G Minor | 8 | 6A | 135 BPM | ||
| Victim of Circumstances | Roy Junior | C Major | 8 | 8B | 144 BPM | ||
| Big Ol' Dynaflow | The Remains | D Major | 8 | 10B | 77 BPM | ||
| Nightmares | The Creation | G Major | 7 | 9B | 137 BPM | ||
| Grow Your Own | Small Faces | C Major | 10 | 8B | 134 BPM | ||
| All Day and All of the Night | The Remains | C Major | 6 | 8B | 163 BPM | ||
| I'm The Face | The High Numbers | B♭ Major | 9 | 6B | 79 BPM | ||
| Tell Me Something New | The Giant Robots | C Major | 9 | 8B | 110 BPM | ||
| Get Me to the World on Time | The Electric Prunes | F Major | 7 | 7B | 103 BPM | ||
| Dance On Through | The Human Beinz | D Major | 6 | 10B | 110 BPM | ||
| Night Time | The Strangeloves | A Major | 8 | 11B | 139 BPM | ||
| The Other Place | The Seeds | B♭ Major | 4 | 6B | 119 BPM | ||
| Cool Jerk | The Creation | G Major | 8 | 9B | 82 BPM |