"You And Me Amy" by Murray Gold had its release date on November 9, 2010. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. You And Me Amy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 63 in Doctor Who: Series 5 (Soundtrack from the TV Series) by Murray Gold. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. You And Me Amy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of You And Me Amy by Murray Gold is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Honey, I Shrunk Myself | Christophe Beck | F Major | 2 | 7B | 93 BPM | ||
| Redbeard | David Arnold, Michael Price | A Minor | 2 | 8A | 81 BPM | ||
| A Friend or Two | David Hirschfelder | F Minor | 2 | 4A | 94 BPM | ||
| Some Assembly Required | Christophe Beck | D Major | 1 | 10B | 75 BPM | ||
| Welcome To London | Junkie XL | G Major | 6 | 9B | 89 BPM | ||
| Henrietta | Chris Tilton | D Minor | 1 | 7A | 79 BPM | ||
| The Choice | Christopher Drake | D Major | 4 | 10B | 89 BPM | ||
| Cap'n' Shakespeare | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A Major | 3 | 11B | 182 BPM | ||
| Cutting The Rope | Harald Kloser | D Minor | 0 | 7A | 143 BPM | ||
| The Hall of Prophecies | Nicholas Hooper | F Major | 2 | 7B | 106 BPM | ||
| Hope for the Future | Joseph Trapanese | B♭ Major | 6 | 6B | 95 BPM | ||
| Rising From The Ashes | Trevor Rabin | F♯ Major | 0 | 2B | 120 BPM | ||
| A Minor Omission | Nathan Johnson | D Minor | 3 | 7A | 79 BPM | ||
| Learning the Call | John Williams | A Major | 1 | 11B | 114 BPM | ||
| Solomon Lane | Joe Kraemer | A Minor | 1 | 8A | 86 BPM | ||
| The Star Shines | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 2 | 8B | 130 BPM | ||
| Smoke Alarm | David Arnold, Michael Price | A Minor | 3 | 8A | 124 BPM | ||
| I'd Hoped There'd Be Stars | Jack Dalton | A♭ Major | 3 | 4B | 124 BPM | ||
| In Jest or Earnest (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | A Minor | 1 | 8A | 89 BPM | ||
| We All Got Dead People | Tyler Bates | D Minor | 0 | 7A | 70 BPM | ||
| Natalie Intro | John Debney | E Minor | 0 | 9A | 67 BPM | ||
| Market Chase | Joseph Trapanese | B♭ Major | 4 | 6B | 81 BPM | ||
| The Doctor (feat. Hollie Buhagiar) | Segun Akinola | B Major | 2 | 1B | 61 BPM | ||
| Brideshead Revisited: No. 22, Clouds Gathered | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| A Lonely Decision | Murray Gold | G Major | 0 | 9B | 79 BPM |