Abbash Uddin's ' "Majhi Baiya Jao" was released on its scheduled release date, 1991. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Thakte Par Ghatate". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. Majhi Baiya Jao is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Majhi Baiya Jao by Abbash Uddin having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amar Praner Manush | Swapan Basu | C Major | 2 | 8B | 101 BPM | ||
| Aji Bhalo Koira Dekhogo Tomra | Sabina Yasmin | G Minor | 9 | 6A | 83 BPM | ||
| Shona Bondhu Re | Abbash Uddin | B Minor | 7 | 10A | 124 BPM | ||
| Ei Korechho Bhalo Nithur Hey | Shyamal Mitra | B♭ Major | 2 | 6B | 178 BPM | ||
| Biddaloy Moder | Syed Abdul Hadi, Runa Laila | A♭ Major | 5 | 4B | 135 BPM | ||
| Chalo Aaj Kichhu Path Chole Jai | Nirmala Mishra, Sudhin Dasgupta | B♭ Minor | 6 | 3A | 95 BPM | ||
| Dol Dol Duluni | Alpana Banerjee | E♭ Major | 3 | 5B | 123 BPM | ||
| Behula Bangla | Bhupen Hazarika | C Major | 3 | 8B | 143 BPM | ||
| Khorang Khwlaikhe | Biswanath Debbarma, Manadebi Jamatia | B Minor | 4 | 10A | 72 BPM | ||
| Kalki Stuthi 6 | V. Ramakrishna | G Major | 4 | 9B | 104 BPM | ||
| Oi Dur Diganta Pare | Mohammed Rafi, Binod Chatterjee | A♭ Minor | 1 | 1A | 78 BPM | ||
| Da de Kumi Pyali Bang Di | Nashenas | F♯ Minor | 2 | 11A | 96 BPM | ||
| Joler Ghate Kodom Tole | Abbash Uddin | F♯ Major | 1 | 2B | 147 BPM | ||
| Priye Wrini Aami | Jayati Chakraborty | B Major | 2 | 1B | 75 BPM | ||
| Shradha Ko Phool | Narayan Gopal | D♭ Major | 2 | 3B | 144 BPM | ||
| Amaspandito Ghano Ratri | Pannalal Bhattacharya | A♭ Major | 4 | 4B | 103 BPM | ||
| Je Jon Premer Bhab Janena | Runa Laila | E Major | 6 | 12B | 101 BPM | ||
| O Ki Gariyal Bhai | Rathindranath Roy | A Major | 9 | 11B | 156 BPM | ||
| Mano Chalo Nija Niketane | Ramakrishna Math, Swami Sarvagananda | C Minor | 3 | 5A | 115 BPM | ||
| Aamay Nahe Go Bhalobaso Mor Gaan - With Narration | Firoza Begum, Satinath Mukherjee | B♭ Minor | 6 | 3A | 93 BPM | ||
| O Mon Guru Vojore | Abbash Uddin | F♯ Major | 1 | 2B | 147 BPM | ||
| Drishya Dekhi Anya | Anup Ghoshal | D♭ Major | 2 | 3B | 70 BPM | ||
| Emon Anek Kathai Bol Tumi | Satinath Mukherjee | E♭ Major | 3 | 5B | 101 BPM | ||
| Keu Bale Phalgun | Jatileswar Mukherjee | A Major | 3 | 11B | 93 BPM | ||
| Pahla Data Shishya Bhaya | Madan Gopal | D Major | 4 | 10B | 112 BPM |