Harry "Sweets" Edison's ' "Twenty-Forty" was released on its scheduled release date, January 1, 1960. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Patented by Edison". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Australia. Twenty-Forty is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Twenty-Forty by Harry "Sweets" Edison having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Angel Eyes | Gene Ammons | C Minor | 1 | 5A | 88 BPM | ||
| Imagination | Art Pepper | F Minor | 2 | 4A | 109 BPM | ||
| Kitty | Ben Webster, Harry "Sweets" Edison | B♭ Minor | 2 | 3A | 121 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 0 | 8B | 81 BPM | ||
| Nostalgia | Fats Navarro | G Major | 3 | 9B | 79 BPM | ||
| April In Paris | Lionel Hampton Quintet | A♭ Major | 2 | 4B | 128 BPM | ||
| Laura | Don Byas | C Major | 2 | 8B | 66 BPM | ||
| Serenata | Cannonball Adderley Quartet | D Minor | 3 | 7A | 168 BPM | ||
| In The Blue Of The Evening | Tommy Flanagan Trio | F Major | 2 | 7B | 135 BPM | ||
| You'd Be So Nice to Come Home To - 1990 Remaster | Bud Powell Trio | D Minor | 1 | 7A | 102 BPM | ||
| It's Easy To Remember - Take 11 | John Coltrane Quartet | F Minor | 2 | 4A | 100 BPM | ||
| Blue Skies | Harry "Sweets" Edison | F Minor | 1 | 4A | 81 BPM | ||
| In the Wee Small Hours | Joe Temperley | C Major | 1 | 8B | 176 BPM | ||
| In A Sentimental Mood | Tommy Flanagan Trio | D Minor | 1 | 7A | 79 BPM | ||
| Isn't It Romantic? | Chet Baker Quartet | C Minor | 2 | 5A | 135 BPM | ||
| Body And Soul | Paul Gonsalves | B♭ Minor | 2 | 3A | 64 BPM | ||
| Where Or When | Red Garland | F Minor | 0 | 4A | 112 BPM | ||
| Say It (Over And Over Again) | John Coltrane Quartet | E♭ Major | 1 | 5B | 66 BPM | ||
| I Thought About You (feat. Hank Mobley, Wynton Kelly, Paul Chambers & Jimmy Cobb) - Mono Version | Miles Davis, Hank Mobley, Wynton Kelly, Paul Chambers, Jimmy Cobb | F Major | 1 | 7B | 115 BPM | ||
| How Deep Is the Ocean (Original Mix) | Harry "Sweets" Edison | F Minor | 2 | 4A | 114 BPM | ||
| Bud's Bubble - 1990 Remaster | Bud Powell Trio | F Minor | 3 | 4A | 137 BPM | ||
| These Foolish Things | Lester Young, Oscar Peterson Trio | C Minor | 1 | 5A | 131 BPM | ||
| Out of Nowhere | Joe Williams, Harry "Sweets" Edison, Malcolm Addey | F Major | 1 | 7B | 134 BPM | ||
| So's Your Mother | Herb Ellis & The Ray Brown Sextet | F♯ Major | 2 | 2B | 145 BPM | ||
| Prelude To A Kiss | Bobby Timmons | A Minor | 1 | 8A | 75 BPM |