"Double Concerto for Violin and Cello: II. Adam and Eve" by Ned Rorem, Jaime Laredo, Sharon Robinson, IRIS Orchestra, Michael Stern had its release date on December 12, 2006. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Rorem: Double Concerto / After Reading Shakespeare". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Double Concerto for Violin and Cello: II. Adam and Eve's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Double Concerto for Violin and Cello: II. Adam and Eve by Ned Rorem, Jaime Laredo, Sharon Robinson, IRIS Orchestra, Michael Stern having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 2, Op. 89a: II. Aria | Alan Hovhaness, Zina Schiff, Salzburg Chamber Soloists, Avlana Eisenberg | F Major | 2 | 7B | 85 BPM | ||
| Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: 1. Hymn to the Dawn (arr. J. Lloyd Webber for 4 cellos and harp) | Gustav Holst, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Laura van der Heijden, Catrin Finch | G Major | 1 | 9B | 85 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | A Major | 1 | 11B | 73 BPM | ||
| A Severn Rhapsody, Op.3 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 66 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 1, Alla Valse viennese | Erwin Schulhoff, Leonkoro Quartet | A Major | 1 | 11B | 73 BPM | ||
| Pie Jesu from Requiem, Op. 48 | Gabriel Fauré, Louis Lortie | B♭ Major | 0 | 6B | 74 BPM | ||
| Chansons pour les oiseaux: No. 3, L'oiseau bleu | Louis Beydts, Julie Roset, Susan Manoff | G Major | 6 | 9B | 103 BPM | ||
| Summer Sunset (arr. J. Lloyd Webber for 2 cellos and piano) | Roger Quilter, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 67 BPM | ||
| Fünf Stücke im Volkston for Cello and Piano, Op. 102: II. Langsam | Robert Schumann, Steven Isserlis, Christoph Eschenbach | F Major | 0 | 7B | 87 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 1 | 11B | 73 BPM | ||
| Martinů: Film en miniature: No. 3, Berceuse | Bohuslav Martinů, Bertrand Chamayou | A♭ Major | 0 | 4B | 175 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Chansons pour les oiseaux: No. 2, Le petit pigeon bleu | Louis Beydts, Julie Roset, Susan Manoff | A Major | 1 | 11B | 73 BPM | ||
| Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | ||
| Clarinet Concerto: I. Slowly and expressively - | Aaron Copland, David Singer, Far Cry, A | D Minor | 0 | 7A | 86 BPM | ||
| 4 Lieder, Op. 27: IV. Morgen! | Richard Strauss, James Ehnes, Andrew Armstrong | G Major | 0 | 9B | 80 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| What is pink?: What is pink? | Ned Rorem, The American Boychoir | F♯ Minor | 2 | 11A | 121 BPM | ||
| Our Town, Act I: "Why, Hello, George Gibbs" | Ned Rorem, Glorivy Arroyo, Margot Rood, Brendan Buckley, Stefan Barner, Jonas Budris, Jason Connell, Angela Gooch, Matthew DiBattista, Gil Rose | C Major | 3 | 8B | 93 BPM | ||
| Ciudadano Sombra: II. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Hannikainen : Five Piano Pieces Op.20 : I Syyssateita [Autumn Rain] | Ilmari Hannikainen, Izumi Tateno | E Minor | 0 | 9A | 89 BPM |