On December 23, 2017, the song "Ki Gaan Shunalu" was released by Rohima Begum, Nozrul Islam. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 1 out of 8 in Aisho Mor Kala Chan by Rohima Begum, Nozrul Islam. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Ki Gaan Shunalu is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ki Gaan Shunalu by Rohima Begum, Nozrul Islam is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Mon Moyna Pakhi | Anup Jalota | F Major | 4 | 7B | 147 BPM | ||
| Mon Tui Morli | Manna Dey | B♭ Major | 5 | 6B | 97 BPM | ||
| Maiya Mangu Tari Paas | Kanu Patel | B♭ Minor | 5 | 3A | 86 BPM | ||
| Sree Gurobe Namoh | Aditi Munshi | C Major | 5 | 8B | 142 BPM | ||
| Diya Barge Ho (Kantikartik) CG Song | OP Dewangan | D Major | 9 | 10B | 140 BPM | ||
| O ma tor aanchal diye | Parikshit Bala | F♯ Minor | 6 | 11A | 144 BPM | ||
| But Bhavani Maa Ni Aarti | Arvind Barot, Bhavna Rana | F♯ Major | 7 | 2B | 96 BPM | ||
| Bhaguda Ni Bhagole Maa Mogal Na Behana | Vanita Patel, Mittal Rabari | B Major | 8 | 1B | 170 BPM | ||
| Hamna Mari Chamunda Aave | Anil Bharwad | C Minor | 7 | 5A | 120 BPM | ||
| MAA UMIYA JOVU TAMARI VAAT | Sagar Patel, Tejal Thakor | D Major | 6 | 10B | 139 BPM | ||
| Aaj Kaleri Modhye Amar | Sanajit Mondal | F♯ Major | 4 | 2B | 137 BPM | ||
| Radha Radha Rat To Bhatku | Vikram Thakor, Mamta Soni | A♭ Major | 8 | 4B | 126 BPM | ||
| Sakarun Benu Bajaye Ke | Shreya Guhathakurta | F Minor | 3 | 4A | 130 BPM | ||
| Hare Krishna Vol 6 Part 1 | Bitu Samajpati | A Major | 6 | 11B | 117 BPM | ||
| Hare Krishna Vol 6 Part 5 | Bitu Samajpati | A Major | 6 | 11B | 117 BPM | ||
| Mane Tara Vina Mann Naa Laage | Rajdeep Barot, Vanita Barot | F Major | 7 | 7B | 126 BPM | ||
| Radha Radha O Radha | Vikram Thakor, Shilpa Thakor | B♭ Major | 6 | 6B | 127 BPM | ||
| Anand Vaaja Vage.. Mangal Aarti | Rekha Rawal, Parthiv Gohil | E♭ Major | 4 | 5B | 107 BPM | ||
| O shrinathji Aavjo Tame | Nidhi Dholakia | E♭ Major | 4 | 5B | 119 BPM | ||
| Karba Barir Chitiya Bilai Duyarot Koirle Meyao | Rohima Begum | B Major | 6 | 1B | 107 BPM | ||
| Darshan Se Pap Harile Tharo Pani Devi Narbada Mata Ho | Ashwin Yadav | D♭ Minor | 8 | 12A | 83 BPM | ||
| मेरी नईया पड़ी है मजधार प्रभू इसे पार लगा देना | PK Official, Pandit Kamal Kishor | F♯ Minor | 9 | 11A | 92 BPM | ||
| Jibon Nodi | Basudev Rajbongshi | A Major | 8 | 11B | 162 BPM | ||
| Bhajore Bhajore Kali Naam | Parikshit Bala | E♭ Major | 6 | 5B | 81 BPM | ||
| Nitipravin Nigmagam | Shree Swaminarayan Mandir Kalupur | F♯ Major | 6 | 2B | 117 BPM |