Orax's 'Regrets' had a release date set for April 10, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 10 in Film by Orax. Regrets is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Regrets by Orax is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Restore | Donbor | B♭ Minor | 8 | 3A | 147 BPM | ||
| Strange Hope | Absolute Valentine | E Minor | 9 | 9A | 128 BPM | ||
| The Blackness | 20SIX Hundred | A Minor | 6 | 8A | 111 BPM | ||
| Hawkins, 83 | Velvet Tape | A♭ Major | 6 | 4B | 155 BPM | ||
| The Future Past | Jeremiah Kane | C Minor | 7 | 5A | 130 BPM | ||
| Revenant | Sub Morphine | B Major | 6 | 1B | 128 BPM | ||
| Blood And Boobies | Nightstop | G Major | 8 | 9B | 150 BPM | ||
| Synthetic Memory | Earmake, Arwelone | B Minor | 9 | 10A | 172 BPM | ||
| Abandoned Vows | Occams Laser | D Major | 9 | 10B | 106 BPM | ||
| Hazard Rider | Retouch | F♯ Minor | 7 | 11A | 136 BPM | ||
| A Fallen Rose | Absolute Valentine | A Minor | 8 | 8A | 130 BPM | ||
| Driving on the Moon | Code Elektro | G Minor | 8 | 6A | 120 BPM | ||
| Touch the Sky | Isidor | A Minor | 9 | 8A | 100 BPM | ||
| In the Company of Robots | Oscillian | A♭ Major | 8 | 4B | 103 BPM | ||
| Regrets | Orax | E Minor | 9 | 9A | 80 BPM | ||
| Road, Pt. 2 | Niky Nine, Absolute Valentine | C Major | 5 | 8B | 115 BPM | ||
| Spirit | Orax | E Major | 9 | 12B | 120 BPM | ||
| Command and Control | Tommy '86 | D♭ Minor | 9 | 12A | 104 BPM | ||
| Storm City | Cloud Battalion | F♯ Minor | 9 | 11A | 156 BPM | ||
| Need | JEY UNO MELODY | C Major | 0 | 8B | 76 BPM | ||
| Bionic Within | Misanthropix | B♭ Minor | 6 | 3A | 140 BPM | ||
| Back to You (End Theme) | Timecop1983 | F Minor | 3 | 4A | 140 BPM | ||
| Deep schizos irreversible paranoids | OGRE Sound | A Major | 5 | 11B | 120 BPM | ||
| Coma | Orax | F♯ Minor | 6 | 11A | 100 BPM | ||
| Chairoplane | Orax | F♯ Major | 9 | 2B | 120 BPM |