"Memoria: II. Fugue" by Cheryl Frances-Hoad, Nicholas Daniel, Nadia Wijzenbeek, Ylvali Zilliacus, Marie Macleod, Alasdair Beatson had its release date on July 21, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 26 in Frances-Hoad: Chamber Works by Cheryl Frances-Hoad, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Memoria: II. Fugue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Memoria: II. Fugue by Cheryl Frances-Hoad, Nicholas Daniel, Nadia Wijzenbeek, Ylvali Zilliacus, Marie Macleod, Alasdair Beatson is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Mass: Kyrie | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Invocation | Cheryl Frances-Hoad, Leonid Gorokhov, Michael Petrov, Steffan Morris, Irene Enzlin, Sebastian Kolin, Andrew Power, Rosie Stoner, Rodrigo Moro Martín | G Major | 1 | 9B | 85 BPM | ||
| A Prayer | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Major | 1 | 11B | 82 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | E Major | 2 | 12B | 133 BPM | ||
| Dirait-On | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 112 BPM | ||
| Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
| 2020 | Oscap | E♭ Minor | 0 | 2A | 61 BPM | ||
| Heyr þú oss himnum á | Anna Thorvaldsdottir, Singer Pur | D Minor | 0 | 7A | 67 BPM | ||
| From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 3, Lullaby | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 0 | 10B | 73 BPM | ||
| Mass for Double Choir: II. Gloria | Frank Martin, Westminster Choir, Joe Miller | C Major | 1 | 8B | 74 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: XIV. Praise the Lord from the Heavens | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
| A brief story of Peter Abelard (verson for soprano saxophone and organ) | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | ||
| Adoramus te Christe | Claudio Monteverdi, Giovanni Togni, World Chamber Choir | G Major | 1 | 9B | 83 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Palestrina: Missa Papae Marcelli - 1b. Christe Eleison | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 128 BPM | ||
| Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
| 3 Six-Part Choirs, Op.39: II. Abendlied | Max Reger, The Rodolfus Choir, Ralph Allwood, Ben Parry | E Major | 2 | 12B | 133 BPM | ||
| O Come, Let Us Sing Unto the Lord | Cheryl Frances-Hoad, The Choir of Magdalen College, Oxford, Mark Williams | E Major | 2 | 12B | 133 BPM | ||
| O filii et filiæ | Henrik Ødegaard, Vox Clamantis, Jaan-Eik Tulve | G Minor | 1 | 6A | 93 BPM | ||
| The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 5 | 8B | 180 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Maidan 2014 / Cycle IV: II. Elegy | Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych | F Minor | 0 | 4A | 77 BPM | ||
| Palestrina: Missa Papae Marcelli - 4a. Sanctus | The Tallis Scholars, Peter Phillips | F♯ Major | 1 | 2B | 86 BPM | ||
| Lully, Lulla, Lullay | Ensemble Pro Victoria, Toby Ward | F Minor | 1 | 4A | 83 BPM |