Shujaat Khan's ' "Aye Ri Sakhi" was released on its scheduled release date, October 21, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Shujaat Khan's "Maestro's Voice - Sufi Kalaam" album is number 3 out of 4. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Aye Ri Sakhi is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Aye Ri Sakhi by Shujaat Khan to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhooli Bisari Chand Umeeden | Mehdi Hassan | F♯ Major | 4 | 2B | 111 BPM | ||
| Daro Na Daro Mope Rang | Mahesh Kale | E♭ Major | 5 | 5B | 146 BPM | ||
| Hamari Galiyan Hoke Aana (Sad) | Meena Mishra | C Major | 2 | 8B | 128 BPM | ||
| Lucknow Kathak, Tara Charane | Anoopam Mission, Bhavik Patel | C Major | 2 | 8B | 99 BPM | ||
| Udas Ho Jaye Aab Wo Dil Kaha | Mausqui | D♭ Major | 5 | 3B | 106 BPM | ||
| Ab Mori Baat - Live | The Anirudh Varma Collective, Bhuvanesh Komkali | B♭ Major | 5 | 6B | 133 BPM | ||
| Gopi | Oliver Rajamani, Shujaat Khan | A Minor | 3 | 8A | 127 BPM | ||
| Haseen | Niladri Kumar | F Major | 4 | 7B | 89 BPM | ||
| Ravan Hatha - Lahriyo Dhun | Kohinoor Langa | F Minor | 8 | 4A | 106 BPM | ||
| Morey Shaam | Hetal Dave | D♭ Major | 4 | 3B | 80 BPM | ||
| Kal Chaudhvin Ki Raat Thi | Shujaat Khan | D Major | 3 | 10B | 90 BPM | ||
| Tarpan | Aasa Singh, Mahendra Dhirajlal Kamdar | D Major | 3 | 10B | 115 BPM | ||
| Mahakal Mahadeva | Veena Sahasrabuddhe, Umakant Gundecha, Ramakant Gundecha | F Minor | 0 | 4A | 120 BPM | ||
| Vishnumaya jag (Abhang) | Nagesh Adgaonkar | D Minor | 4 | 7A | 100 BPM | ||
| Ab to Rat Lagi Lagi Mori - Raga Bihag | Traditional, Pandit Ajoy Chakrabarty | G Major | 4 | 9B | 95 BPM | ||
| Akeli Dar Lage | Abhijit Pohankar, Ramakant Gaikwad, Samarth Desai, Amit Mishra | F♯ Major | 6 | 2B | 140 BPM | ||
| Maa Bhervi Bhavtarini | Dev Ranjan Giri | B♭ Minor | 3 | 3A | 124 BPM | ||
| Sawan Rut Aayi | Ustad Sultan Khan, K. S. Chithra | D Major | 3 | 10B | 83 BPM | ||
| Divaneh (Crazy) | Sohrab Pournazeri, Tahmoures Pournazeri, Shujaat Khan | B♭ Major | 1 | 6B | 83 BPM | ||
| Raaga Tilak Kamod | Ronu Majumdar | E Major | 2 | 12B | 104 BPM | ||
| Tumhare Shehar Ka Mausam & Aaja Re Nindiya | Shujaat Khan | D Major | 3 | 10B | 109 BPM | ||
| Woh Tujhme Mila Hai | Saurabh Bhalerao, Aditi Raj | F Major | 3 | 7B | 98 BPM | ||
| Jara Der Thehro Ram Tamanah Yahi Hai | Dhiraj Kant | F Minor | 9 | 4A | 168 BPM | ||
| Naina More | Sniti Mishra | B♭ Minor | 5 | 3A | 124 BPM | ||
| Tilakkamod | Bismillah Khan | C Major | 7 | 8B | 113 BPM |