V's ' "The After Party" was released on its scheduled release date, January 1, 2009. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in V's "It is Finished! The Paradox Vol.1" album is number 2 out of 19. On top of that, United States appears to be the country where this track was created. In terms of popularity, The After Party is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The After Party by V to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Toast | V | D♭ Major | 6 | 3B | 180 BPM | ||
| Waltz In E-Flat Major, Op. 18 | Krzysztof Jabłoński, Stanislav Bunin, Evelyne Dubourg, Jean-Marc Luisada, Yuval Fichman | A♭ Major | 1 | 4B | 83 BPM | ||
| Single (feat. V) | Dayne Jordan, V | E Minor | 5 | 9A | 169 BPM | ||
| First Movement | Clint Mansell | D Minor | 0 | 7A | 137 BPM | ||
| How Deep Is Your Love | V | B♭ Minor | 5 | 3A | 124 BPM | ||
| Klavierkonzert Nr. 2 c-Moll Op. 18: 3. Allegro scherzando (Auszug) (Das verflixte siebte Jahr): II. Adagio sostenuto | Sergei Rachmaninoff, Jenő Jandó, Budapest Symphony Orchestra, György Lehel | E Major | 0 | 12B | 115 BPM | ||
| 3 Gymnopédies: Gymnopedie No. 3 | Erik Satie, Klara Kormendi | C Major | 1 | 8B | 99 BPM | ||
| Opus 37 | Dustin O'Halloran | A Minor | 0 | 8A | 68 BPM | ||
| Walzer No. 1 for Piano in E-Flat Major, Op. 18 | Peter Schmalfuss | A♭ Major | 1 | 4B | 134 BPM | ||
| Pas | V | C Major | 9 | 8B | 130 BPM | ||
| Adagio In G Minor | The Holy Royal Orchestral Academy | B Minor | 2 | 10A | 65 BPM | ||
| Gnossiennes: No. 1, Lent | Erik Satie, Klara Kormendi | C Major | 1 | 8B | 99 BPM | ||
| Méditation de Thaïs | Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso | E Minor | 0 | 9A | 96 BPM | ||
| Theme From Schindler's List | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 99 BPM | ||
| Prelude 2 | Dustin O'Halloran | F Major | 2 | 7B | 174 BPM | ||
| Boulders | Pound, V | A♭ Major | 8 | 4B | 123 BPM | ||
| Metamorphosis: Four | Philip Glass | F Major | 1 | 7B | 71 BPM | ||
| TGV | V | D♭ Major | 7 | 3B | 115 BPM | ||
| Spiegel im Spiegel, for Cello & Piano | Arvo Pärt, Sebastian Klinger, Jürgen Kruse | F Major | 0 | 7B | 84 BPM | ||
| Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: II. Allemande | Johann Sebastian Bach, Ralph Kirshbaum | G Major | 1 | 9B | 139 BPM | ||
| Variations on an Original Theme, Op. 36, "Enigma": Var. IX (Nimrod) | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
| Neverland - Minor Piano Variation - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 121 BPM | ||
| 3 Gymnopédies: I. Lent et douloureux | Erik Satie, Frank Glazer | G Major | 0 | 9B | 83 BPM | ||
| The King's Speech | Alexandre Desplat | C Minor | 0 | 5A | 110 BPM | ||
| Baby | Matt Weed, V | C Major | 9 | 8B | 130 BPM |