"Variations on an Original Theme, Op. 36, "Enigma": Var. IX (Nimrod)" by Edward Elgar, Bournemouth Symphony Orchestra, George Hurst had its release date on December 4, 1997. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 17 in Elgar: Enigma Variations / In the South / Coronation March by Edward Elgar. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Variations on an Original Theme, Op. 36, "Enigma": Var. IX (Nimrod) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on an Original Theme, Op. 36, "Enigma": Var. IX (Nimrod) by Edward Elgar, Bournemouth Symphony Orchestra, George Hurst is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM | ||
| Montagnes And Capulets from Romeo And Juliet | South German Philharmonic Orchestra | A Minor | 3 | 8A | 114 BPM | ||
| Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante | Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky | E♭ Major | 0 | 5B | 177 BPM | ||
| Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Sir Neville Marriner, Academy of St. Martin in the Fields | D♭ Major | 0 | 3B | 97 BPM | ||
| Walton: Henry V: Passacaglia "The Death of Falstaff" | William Walton, Douglas Boyd, Chamber Orchestra of Europe | E Minor | 0 | 9A | 86 BPM | ||
| The Seasons, Op. 67: IV. Petit Adagio | Alexander Glazunov, Yevgeny Svetlanov, Philharmonia Orchestra | F♯ Major | 0 | 2B | 71 BPM | ||
| A Moorside Suite: I. Scherzo (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | D Minor | 2 | 7A | 128 BPM | ||
| Sun & Moon / Why God Why | Bournemouth Symphony Orchestra, Seann Alderking | D♭ Major | 1 | 3B | 70 BPM | ||
| Florida Suite: III. Sunset - Near the Plantation | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 124 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
| Appalachian Spring Suite: III. The Bride and Her Intended. Moderato | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Minor | 0 | 12A | 170 BPM | ||
| A Shropshire Lad - Rhapsody | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 95 BPM | ||
| Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | E♭ Major | 1 | 5B | 83 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| Mozart: Serenade for Winds No. 10 in B-Flat Major, K. 361 "Gran partita": III. Adagio | Wolfgang Amadeus Mozart, Wind Soloists of the Chamber Orchestra of Europe | E♭ Major | 0 | 5B | 69 BPM | ||
| Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM | ||
| Gustav Adolf II, Op. 49: IV. Elegi | Hugo Alfvén, Helsingborg Symphony Orchestra, Okko Kamu | F♯ Major | 0 | 2B | 88 BPM | ||
| Nimrod | Edward Elgar, The Coldstream Guards Band | D♭ Major | 2 | 3B | 71 BPM | ||
| A Midsummer Night's Dream: Intermezzo | Felix Mendelssohn, Eirian James, Judith Howarth, Jamie Laredo, Scottish Chamber Orchestra | E Major | 0 | 12B | 151 BPM | ||
| A Midsummer Night's Dream: Nocturne | Felix Mendelssohn, Eirian James, Judith Howarth, Jamie Laredo, Scottish Chamber Orchestra | E Major | 0 | 12B | 151 BPM | ||
| Symphony No. 5 in C-Sharp Minor: IV. Adagietto | Gustav Mahler, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 1 | 7B | 83 BPM | ||
| Pomp and Circumstance March No. 2 in A Minor, Op. 39/2 | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM |