"Appalachian Spring Suite: III. The Bride and Her Intended. Moderato" by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta had its release date on January 1, 1996. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 30 in Copland: Appalachian Spring; Lincoln Portrait; Fanfare; Rodeo, etc. by Aaron Copland, Zubin Mehta, Antal Doráti, Traditional, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Appalachian Spring Suite: III. The Bride and Her Intended. Moderato is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring Suite: III. The Bride and Her Intended. Moderato by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
| Symphony No. 3: VIf. Langsam. Tempo I - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 86 BPM | ||
| Pelléas et Mélisande, Op. 80, Suite: IV. La mort de Mélisande | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
| Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 91 BPM | ||
| L'oiseau de feu, K. 10. Suite 1919: VI. Berceuse | Igor Stravinsky, Budapest Festival Orchestra, Iván Fischer | A Minor | 0 | 8A | 103 BPM | ||
| Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | ||
| Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VI. Samuel Goldenberg and Schmuÿle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | D♭ Major | 1 | 3B | 113 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Danish Folk-Music Suite: III. The Nightingale and the Two Sisters | Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra | E Major | 1 | 12B | 91 BPM | ||
| West Side Story Symphonic Dances: V. Cha-cha - Live | Leonard Bernstein, Los Angeles Philharmonic | G Major | 0 | 9B | 106 BPM | ||
| Pictures at an Exhibition: The Hut on Fowls' Legs | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
| Lyric Suite, Op. 54: II. Gangar (Norwegian March): Allegretto marciale | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 0 | 10B | 83 BPM | ||
| Masques et Bergamasques, suite, Op.112: 2. Menuet | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 146 BPM | ||
| Appalachian Spring: IV. Quite Fast | Aaron Copland, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 127 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
| Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
| A Village Romeo and Juliet: The Walk to the Paradise Garden | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 70 BPM | ||
| Beni Mora, Op. 29, No. 1: I. First Dance | Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones | E♭ Major | 0 | 5B | 78 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Romeo and Juliet Suite No. 3, Op. 101: VI. The Death of Juliet | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | C Major | 0 | 8B | 129 BPM | ||
| Serenade for Strings in E Minor, Op. 20: 3. Allegretto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 87 BPM | ||
| Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM |