South German Philharmonic Orchestra's 'Montagnes And Capulets from Romeo And Juliet' had a release date set for May 1, 2010. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of World Classical 2010 by Various Artists. The song's track number on the album is #81 out of 100 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Montagnes And Capulets from Romeo And Juliet is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Montagnes And Capulets from Romeo And Juliet by South German Philharmonic Orchestra has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Montagnes And Capulets from Romeo And Juliet being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem: Dies Irae | Giuseppe Verdi, Sir Georg Solti, Chicago Symphony Orchestra, Chicago Symphony Chorus | G Major | 6 | 9B | 78 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
| Holberg Suite Op.40 - Prelude | Radio Orchestra Berlin | G Major | 2 | 9B | 140 BPM | ||
| Flute Concerto No. 4 in G Major, RV 435: I. Allegro | Antonio Vivaldi, South German Philharmonic Orchestra, Hans Gösser, Henry Adolph | G Major | 1 | 9B | 179 BPM | ||
| Slovanic Dances, Op. 46, B. 83: Slavonic Dance No. 8 in G Minor, Op. 46, No. 8 | Antonín Dvořák, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam | G Major | 1 | 9B | 145 BPM | ||
| Variations on an Original Theme, Op. 36, "Enigma": Var. IX (Nimrod) | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
| Symphony No. 82 in C Major "The Bear": II. Allegretto in double variation form. | Joseph Haydn, Alexander von Pitamic, Southgerman Philharmonic Orchestra | G Minor | 4 | 6A | 152 BPM | ||
| Barber: Adagio for Strings, Op. 11 | Samuel Barber, Philadelphia Orchestra, Eugene Ormandy | B♭ Minor | 1 | 3A | 80 BPM | ||
| Vaughan Williams: Fantasia on a Theme by Thomas Tallis | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Major | 0 | 9B | 93 BPM | ||
| Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, The Norwegian Radio Orchestra, Ari Rasilainen | D Minor | 2 | 7A | 90 BPM | ||
| L'Arlesienne - Prelude | Czech Philharmonic Orchestra | C Minor | 1 | 5A | 130 BPM | ||
| Nocturne No. 2, Op. 9 in E Flat Major | Eric Hammerstein, Robert Docker, The London Promenade Orchestra | B♭ Major | 2 | 6B | 51 BPM | ||
| Grieg: Peer Gynt Suite No. 1, Op. 46 - 1. Morgenstemning (Morning Mood) | The Royal Festival Orchestra | E Major | 1 | 12B | 139 BPM | ||
| Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) | Henry Purcell, Baroque Brass Of London, David Hill | B♭ Minor | 2 | 3A | 85 BPM | ||
| Allegro (Concierto Para Mandolina Do Mayor) | Cámara de la Escala De Milan | B Major | 4 | 1B | 83 BPM | ||
| Swan Lake: No. 10 Scène | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | E Minor | 2 | 9A | 77 BPM | ||
| Má Vlast (My Country): 2. Vltava (The Moldau) | Bedřich Smetana, Concertgebouworkest, Antal Doráti | C Major | 2 | 8B | 71 BPM | ||
| Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante | Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky | E♭ Major | 0 | 5B | 177 BPM | ||
| Symphony No. 4 in E Flat Major,"Romantic": II. Scherzo bewegt | Anton Bruckner, South German Philharmonic Orchestra | C Major | 1 | 8B | 140 BPM | ||
| Swan Lake, Op. 20a: No. 3, Dance of the Swans | Pyotr Ilyich Tchaikovsky, Marko Munih, RTV Slovenia Symphony Orchestra | F♯ Minor | 1 | 11A | 116 BPM | ||
| Flight of the Bumblebee from Tsar Saltan | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra | D Minor | 3 | 7A | 169 BPM | ||
| Symphony No. 7 Op. 92: II. Allegretto (Beethoven) | Orchestra Di Padova E Del Veneto & Peter Maag | E Minor | 0 | 9A | 128 BPM | ||
| Dance of the Knights from Romeo and Juliet (From "Mary and Max") | Thematic Pianos | G Minor | 0 | 6A | 65 BPM | ||
| Symphony No.4 3rd Movement | South German Philharmonic Orchestra | D Minor | 1 | 7A | 121 BPM | ||
| Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM |