Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra's ' "Flight of the Bumblebee from Tsar Saltan" was released on its scheduled release date, October 29, 1996. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Greatest Hits of the Tsar" album is number 1 out of 21. On top of that, United States appears to be the country where this track was created. The popularity of Flight of the Bumblebee from Tsar Saltan is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Flight of the Bumblebee from Tsar Saltan by Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Sleeping Beauty, Op. 66: Act II, No. 17 Panorama. Andantino | Pyotr Ilyich Tchaikovsky, Eugene Ormandy, Philadelphia Orchestra | G Major | 2 | 9B | 87 BPM | ||
| Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
| VII. Galop | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Minor | 3 | 5A | 147 BPM | ||
| Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
| Les Patineurs: Pas des patineurs | Giacomo Meyerbeer, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 203 BPM | ||
| Caucasian Sketches, Suite No. 1, Op. 10: IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | A Major | 3 | 11B | 103 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | A♭ Major | 0 | 4B | 65 BPM | ||
| Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
| Guillaume Tell (William Tell): : Overture excerpt forrest dawn | Tbilisi Symphony Orchestra, Vakhtang Kakhidze, Nodzar Gogolashvili, Tstsino Sokhiashvili | E Major | 6 | 12B | 166 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
| Gaîté parisienne: 4. Allegro - Valse | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | A Major | 2 | 11B | 102 BPM | ||
| Strauss Jr., J.: Geschichten aus dem Wienerwald, Op. 325 | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | B♭ Major | 1 | 6B | 99 BPM | ||
| Flight of the Bumblebee from Tsar Saltan | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra | D Minor | 3 | 7A | 169 BPM | ||
| 2001 A SPACE ODDYSEY: FANFARE From Also Sprach Zarathustra | 101 Strings Orchestra | B♭ Major | 1 | 6B | 83 BPM | ||
| Lohengrin, Act III: Prelude | Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Choir, NDR Chor, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln, Semyon Bychkov | G Major | 2 | 9B | 126 BPM | ||
| Hungarian Dance No.5 In G Minor | Royal Philharmonic Orchestra | G Minor | 2 | 6A | 126 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 114 BPM | ||
| Tik-Tak, Op. 365: Tik-Tak Polka, Op. 365 | Johann Strauss II, Hungarian State Orchestra, Janos Ferencsik | B♭ Major | 3 | 6B | 101 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 20 (orch. A. Dvorak) [Version for orchestra] | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 1 | 9A | 81 BPM | ||
| Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 0 | 5B | 191 BPM | ||
| A Midsummer Night's Dream: Wedding March | Felix Mendelssohn, Eugene Ormandy | C Major | 3 | 8B | 74 BPM | ||
| Britten: Soirées musicales, Op. 9: III. Tirolese | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | C Major | 2 | 8B | 173 BPM | ||
| Victoria and Merrie England: Scene VII - 1897 - Britain's Glory: Finale: Britannia - The Albert Memorial - God Save The Queen | Arthur Sullivan, RTE Sinfonietta, Andrew Penny | B Major | 1 | 1B | 144 BPM | ||
| Caucasian Sketches: Suite No. 1, Op. 10: IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Ukraine National Symphony Orchestra, Arthur Fagen | A Major | 1 | 11B | 81 BPM |