"Requiem: Dies Irae" by Giuseppe Verdi, Sir Georg Solti, Chicago Symphony Orchestra, Chicago Symphony Chorus had its release date on December 12, 2008. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "J'aime pas le classique mais ca j'aime bien" album is number 10 out of 45. On top of that, United States appears to be the country where this track was created. Requiem: Dies Irae is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: Dies Irae by Giuseppe Verdi, Sir Georg Solti, Chicago Symphony Orchestra, Chicago Symphony Chorus to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rigoletto: Overture (Preludio) | Giuseppe Verdi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | G Major | 0 | 9B | 101 BPM | ||
| Lieutenant Kijé Suite, Op. 60: II. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
| Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
| Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
| Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
| Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 3, Moderato religioso | Jean François Lesueur, Chorus Musicus Das Neue Orchester, Christoph Spering | G Major | 0 | 9B | 156 BPM | ||
| The Four Seasons: Concerto No. 2 in G Minor, RV 315 "L'estate" (summer): III. Presto | Antonio Vivaldi, Adrian Chandler, La Serenissima | G Major | 5 | 9B | 157 BPM | ||
| Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | G Minor | 5 | 6A | 132 BPM | ||
| J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
| Madama Butterfly (Remastered): Act II - Un bel dì | Giacomo Puccini, Erich Leinsdorf, RCA Italiana Opera Orchestra, Leontyne Price | F Major | 3 | 7B | 110 BPM | ||
| Verdi: Aida, Act 2: "Gloria all'Egitto, ad Iside" (Coro) | Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Trumpeters of the Royal Military School of Music, New Philharmonia Orchestra | E♭ Major | 3 | 5B | 93 BPM | ||
| Danse Macabre, Op. 40 | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic, David Nadien | E♭ Major | 2 | 5B | 107 BPM | ||
| Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto - 2018 Remastered Version | Ludwig van Beethoven, George Szell, The Cleveland Orchestra | E Minor | 0 | 9A | 77 BPM | ||
| Pavane, Op. 50 (Choral Version) | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus | F Major | 2 | 7B | 98 BPM | ||
| Aida Highlights (1998 Digital Remaster), Act II: Gloria all'Egitto (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra, Chorus of the Royal Opera House, Covent Garden | E Major | 3 | 12B | 125 BPM | ||
| 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
| Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
| Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI | A♭ Major | 1 | 4B | 115 BPM | ||
| Nr. 3, Pizzicato | Léo Delibes, Slovak Radio Symphony Orchestra, Michael Halasz | E♭ Major | 0 | 5B | 161 BPM | ||
| La traviata*: Gypsy Chorus 'Noi siamo zingarelle' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
| Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | B♭ Major | 6 | 6B | 124 BPM | ||
| Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
| Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM | ||
| Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai | Felix Mendelssohn, Quatuor Ébène | F Minor | 3 | 4A | 139 BPM |