Jan Luley, Torsten Zwingenberger's ' "Frenchmen Street" was released on its scheduled release date, 2015. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 12 in Air Force One by Jan Luley, Torsten Zwingenberger. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Frenchmen Street's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Frenchmen Street by Jan Luley, Torsten Zwingenberger is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nothing's Really Changed | Robin McKelle & The Flytones | D♭ Major | 6 | 3B | 130 BPM | ||
| See You Later Alligator | Brenda Boykin, Jan Luley | A Minor | 5 | 8A | 114 BPM | ||
| Back Nine | Ben Sidran | D♭ Major | 5 | 3B | 120 BPM | ||
| Arbor Cantabile | Crying Mirror | F Major | 2 | 7B | 75 BPM | ||
| Five Foot Two | Tony DeSare | D Major | 3 | 10B | 102 BPM | ||
| It Was Born in the 20's | Dave Gross | A♭ Major | 7 | 4B | 83 BPM | ||
| Alone In The Night | Tinez Roots Club | D♭ Minor | 5 | 12A | 117 BPM | ||
| Granite Edge | Impression Blue | E♭ Major | 3 | 5B | 86 BPM | ||
| Honey | Charles Brown | D♭ Major | 4 | 3B | 140 BPM | ||
| Don't Cry for Louie | Suss von Ahn | G Major | 5 | 9B | 90 BPM | ||
| The Lady Was to Blame | Club des Belugas, Lene Riebau | D♭ Minor | 7 | 12A | 126 BPM | ||
| Searing Blues | Jean-Pierre Bertrand, Frank Muschalle, Dani Gugolz, Peter Müller | F Major | 3 | 7B | 125 BPM | ||
| Bask | Ifeoma P. | F Major | 2 | 7B | 118 BPM | ||
| Old Man Time | Milt Hinton | C Minor | 1 | 5A | 130 BPM | ||
| Private Guy | Ben Sidran | C Major | 5 | 8B | 121 BPM | ||
| Backseat Groove | Crocodelic | B♭ Major | 4 | 6B | 131 BPM | ||
| Boutique Mirror | Fireside Jazz | G Minor | 3 | 6A | 115 BPM | ||
| Don't Fence Me In | Jan Luley | F Major | 3 | 7B | 122 BPM | ||
| Veranda Vignette | marss ala | G Minor | 2 | 6A | 74 BPM | ||
| Traces in the Sand | Natalia M. King | A♭ Minor | 3 | 1A | 105 BPM | ||
| Frenchmen Street | Jan Luley, Torsten Zwingenberger | C Minor | 5 | 5A | 124 BPM | ||
| Little Tuna Song | Happy Village, Rolf Delfos, Frank Montis, Pim Dros | D Minor | 2 | 7A | 95 BPM | ||
| Leave My Man Alone | Maria Muldaur | A♭ Minor | 8 | 1A | 120 BPM | ||
| My Heart Belongs to Daddy | Hailey Tuck | C Minor | 5 | 5A | 142 BPM | ||
| Sardinian Shore | Azure Silence Jazz | D Minor | 2 | 7A | 82 BPM |