"Lachrimae Pavan" by John Dowland, Christoph Denoth had its release date on June 2, 2014. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The track order of this song in John Dowland, Christoph Denoth's "Mister Dowland's Midnight" album is number 7 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Lachrimae Pavan is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lachrimae Pavan by John Dowland, Christoph Denoth to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prélude & Andante in C Minor | Philippe Joseph Hinner, Vera Schnider, Eva Saladin | C Minor | 1 | 5A | 107 BPM | ||
| Aires de La Mancha: No. 4, Ya Llega el Invierno (Winter Is Upon Us) [arr. P. Galbraith] | Federico Moreno Torroba, Paul Galbraith | B♭ Major | 2 | 6B | 69 BPM | ||
| Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
| Suite in A Major: II. Chaconne | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| A Dream (Arr. for Virginals by P. Gallon) | John Dowland, Pierre Gallon | F♯ Minor | 2 | 11A | 100 BPM | ||
| Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
| Pièces en ut majeur: Prélude | Michel de Béthune, José Miguel Moreno | F Major | 0 | 7B | 79 BPM | ||
| Pavanne en forme de complainte | Nicolas Vallet, Anthony Bailes | F♯ Minor | 0 | 11A | 93 BPM | ||
| Rondo Allegretto | Johan Wilhelm Ankar, Anders Ericson | F♯ Minor | 2 | 11A | 105 BPM | ||
| Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
| Elend, du hast umfangen mich | Traditional, Ars Choralis Coeln, Maria Jonas, Elisabeth Seitz, Johanna Seitz | D Minor | 1 | 7A | 71 BPM | ||
| La soave melodia | Andrea Falconieri, Luca Pianca | E Minor | 0 | 9A | 91 BPM | ||
| Hit the Road Jack | Percy Mayfield, Lautten Compagney | A Minor | 2 | 8A | 95 BPM | ||
| The Fairy Round (Galliard) | Anthony Holborne, Lutz Kirchhof | F♯ Major | 1 | 2B | 102 BPM | ||
| Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 70 BPM | ||
| Fantasia in 6 parts (MB 48 No. 33) | Orlando Gibbons, Fretwork | C Minor | 1 | 5A | 72 BPM | ||
| Sonata Op. 5, No. 10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
| Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Thomas Dunford | B Major | 0 | 1B | 83 BPM | ||
| Ayres for the Violin: Aria II (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | A♭ Minor | 1 | 1A | 132 BPM | ||
| Iphigénie en Tauride, Act II, Scene 3: 1er et 2ème menuets | Henri Desmarets, André Campra, Le Concert Spirituel, Herve Niquet | B♭ Minor | 1 | 3A | 79 BPM | ||
| Chaconne des Scaramouches, Frivelins et Arlequins | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Dowland's Tears (Arr. N. North of I Saw My Lady Weep) | Nigel North | D♭ Major | 1 | 3B | 128 BPM | ||
| Plainte in D Minor | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | C Minor | 0 | 5A | 130 BPM | ||
| Laurina Corrente | Bellerofonte Castaldi, Albane Imbs | F♯ Major | 2 | 2B | 137 BPM | ||
| Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | D♭ Minor | 0 | 12A | 42 BPM |