On March 14, 2020, the song "Bhakti Ke Dhoon Mein" was released by Rupesh. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 8 in Bhakti Ke Dhoon Mein (Durga Bhajan) by Rupesh. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Bhakti Ke Dhoon Mein's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bhakti Ke Dhoon Mein by Rupesh is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oravasaram Vannaal | Saleem Kodathoor | G Minor | 4 | 6A | 100 BPM | ||
| Ghir Aayi Ri Badariya Sawan Ki | Amrita Chaturvedi, Upadhyay | A Minor | 7 | 8A | 90 BPM | ||
| Ena mela gava ilayo | Badaga Tunes | D♭ Minor | 10 | 12A | 75 BPM | ||
| Maza Radata Chehara Pahun Tula Khushi Zali Asal | Vishnu Chole, Gokul Ambildhage | G Minor | 4 | 6A | 100 BPM | ||
| Hai Jindagi Kitni Khubsurat | Kumar Satyam | E Major | 9 | 12B | 116 BPM | ||
| Aadivasi Nari 2 | Bheem Kanoje, Mahi Dawar, Piru Bhai Solanki, Shital Senani | D♭ Minor | 7 | 12A | 125 BPM | ||
| Bhakti Ke Dhoon Mein | Rupesh | A Minor | 8 | 8A | 144 BPM | ||
| Milam Johara | Fauji Lalit Mohan Joshi | D Major | 10 | 10B | 165 BPM | ||
| Hai Daru Ni Batali | Ajay Mali, Vaishali Pawar Bedse, Vijay Patil | G Major | 7 | 9B | 128 BPM | ||
| Karimukil Varnnante | Rupesh | D♭ Major | 5 | 3B | 149 BPM | ||
| Tai Bigadh Dare Vo | Lalaram Rajput | D♭ Major | 9 | 3B | 150 BPM | ||
| Ponni Nadhi | Rupesh, Lakshmi Priya | D Minor | 8 | 7A | 150 BPM | ||
| Aaja Aaja Syiya Syiya Bole Re Mor Pain | Mamta Chandrakar, Mithalesh, Kuleshwar Patel | D♭ Minor | 6 | 12A | 107 BPM | ||
| Murgi Kar Otha Lakhe | Sunil Munda, Rupesh, Nandini Bunkar | B♭ Minor | 9 | 3A | 155 BPM | ||
| Pairon Mein Bandhan Hai - Instrumental | Jatin-Lalit, Anand Bakshi | A♭ Minor | 8 | 1A | 92 BPM | ||
| Kismat Se Mile Aisan Gharwa | Kalpana Patowary | A♭ Major | 10 | 4B | 140 BPM | ||
| Pammi Pammi Varunnunde | Karthika | G Minor | 4 | 6A | 100 BPM | ||
| Karle Karle Re Sanwariye se | Abhishek Nama | F♯ Major | 6 | 2B | 77 BPM | ||
| Vidai | Pandavaas | F Major | 6 | 7B | 93 BPM | ||
| Sangeeta - Kumaoni | Jitendra Tomkyal | A♭ Major | 10 | 4B | 150 BPM | ||
| Ambabai Yedamay Paramparik Aarati | Akash Shinde, Ganesh Kadam | D♭ Major | 10 | 3B | 120 BPM | ||
| Kukmu Raja | Kumar Sawan, Nirmala Kisku Soren | D♭ Major | 6 | 3B | 96 BPM | ||
| Goriya Re Tore Pyar Me | Praveen Lugun, Garima Ekka, Pk Deep | D♭ Major | 8 | 3B | 180 BPM | ||
| Nirdaiya Re | Sunil Soni, Garima Diwakar | F♯ Major | 6 | 2B | 103 BPM | ||
| Journeying | Rupesh | G Minor | 7 | 6A | 140 BPM |