- BPM
- 80
- Key
- B♭ Major
- Camelot
- 6B
Blah, Blah, Blah by Rosa Lamoreaux, Betty Bullock Song Details
Rosa Lamoreaux, Betty Bullock's 'Blah, Blah, Blah' had a release date set for January 1, 2001. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Blah, Blah, Blah's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 19 in Classical Cabaret by Rosa Lamoreaux. Blah, Blah, Blah is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Blah, Blah, Blah by Rosa Lamoreaux, Betty Bullock is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -15.017 dB
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 17%
- Instrumentalness
- 10%
- Liveness
- 13%
- Loudness
- 75%
- Speechiness
- 6%
- Valence
- 29%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Finiit annus iter | Gregor Lange, Harmonia Recorder Ensemble | G Major | 0 | 9B | 69 BPM | |
 | Mass in B Minor, BWV 232: Christe eleison (Soprano I and II) | Johann Sebastian Bach, Tamara Matthews, Rosa Lamoreaux, Marietta Simpson, Frederick Urrey, William Sharp, Daniel Lichti, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld | D Major | 0 | 10B | 142 BPM | |
 | Portative organ - Madrigal (Ay schonsolato ed amoroso) | Vincenzo da Rimini, David Munrow, Early Music Consort Of London | A Minor | 0 | 8A | 103 BPM | |
 | Taverner: Missa Gloria Tibi Trinitas - Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | F Minor | 1 | 4A | 130 BPM | |
 | Splendens ceptigera | Jordi Savall | G Major | 2 | 9B | 88 BPM | |
 | Zanjareli Louso Mayr - Magnificat (mode 5) | Goussan Aljanian | C Major | 2 | 8B | 98 BPM | |
 | Jubilus rhythmicus de nomini Jesu (2) | St. Bernard von Clairvaux, Ensemble Officium, Wilfried Rombach | E♭ Major | 0 | 5B | 130 BPM | |
 | Vox in Tenebris | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | D Minor | 8 | 7A | 123 BPM | |
 | Svetilen of Easter | Choir of the Monks of Chevetogne | B Major | 1 | 1B | 97 BPM | |
 | Rorate Coeli Desuper | The Schola Cantorum of St. Peter's in the Loop | F Major | 0 | 7B | 146 BPM | |
 | O quam magnum miraculum est | Hildegard von Bingen, Karen R. Clark, Shira Kammen | G Minor | 1 | 6A | 136 BPM | |
 | Bless The Lord, O My Soul (Psalm 103) | Roman Hurko | D♭ Minor | 2 | 12A | 76 BPM | |
 | Berlioz: Messe Solennelle, H 20: XI. Sanctus | Hector Berlioz, Rosa Lamoreaux, Washington National Cathedral Choral Society, J. Reilly Lewis, Terry Cook, Gene Tucker | C Major | 0 | 8B | 81 BPM | |
 | Ave Maris Stella: I | Emily Dickens, Apollo5 | D Major | 0 | 10B | 63 BPM | |
 | Offertorium: Confortamini | Marek Klein | B Major | 0 | 1B | 97 BPM | |
 | Kontakion/Oikos - Nativity of Christ - Sergei Glagolev | Archangel Voices | G Major | 1 | 9B | 73 BPM | |
 | Ballo francese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | C Major | 0 | 8B | 87 BPM | |
 | O Viridissima Virga | Rosa Lamoreaux | C Major | 0 | 8B | 77 BPM | |
 | Chorus Angelicus Descendit | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | D Minor | 1 | 7A | 126 BPM | |
 | Canon Ode 9 for Holy Saturday Matins | Saint Vladimir's Seminary Women's Sextet | G Major | 2 | 9B | 101 BPM | |
 | Tranquil Watch of Angels | Wonderworker, The Choir of Eparchy of Tripoli | E Minor | 1 | 9A | 124 BPM | |
 | Troparion to the Icon | Savior-Transfiguration Cathedral of Pryluky | D Minor | 0 | 7A | 78 BPM | |
 | Te Lucis Ante Terminum | Monges Beneditinos, The Benedictine Monks of Worth Abbey | E Minor | 0 | 9A | 126 BPM | |
 | Sequentia: Veni, Sancte Spiritus, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A♭ Minor | 3 | 1A | 83 BPM | |
 | Au joly boys | Hilaire Penet, Into the Winds | B♭ Minor | 0 | 3A | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records