- BPM
- 142
- Key
- D Major
- Camelot
- 10B
Mass in B Minor, BWV 232: Christe eleison (Soprano I and II) by Johann Sebastian Bach, Tamara Matthews, Rosa Lamoreaux, Marietta Simpson, Frederick Urrey, William Sharp, Daniel Lichti, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld Song Details
Johann Sebastian Bach, Tamara Matthews, Rosa Lamoreaux, Marietta Simpson, Frederick Urrey, William Sharp, Daniel Lichti, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld's 'Mass in B Minor, BWV 232: Christe eleison (Soprano I and II)' had a release date set for January 1, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 27 in Bach: Mass in B Minor by Johann Sebastian Bach, Greg Funfgeld, The Bach Festival Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Mass in B Minor, BWV 232: Christe eleison (Soprano I and II)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Mass in B Minor, BWV 232: Christe eleison (Soprano I and II) by Johann Sebastian Bach, Tamara Matthews, Rosa Lamoreaux, Marietta Simpson, Frederick Urrey, William Sharp, Daniel Lichti, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -31.148 dB
- Acousticness
- 93%
- Danceability
- 25%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 48%
- Speechiness
- 4%
- Valence
- 30%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Busoni: 10 Chorale Preludes, BV B 27: V. Ich ruf' zu dir, Herr Jesu Christ (After No. 40 from J . S. Bach's "Orgelbüchlein", BWV 639) | Johann Sebastian Bach, Leif Ove Andsnes | F Minor | 0 | 4A | 63 BPM | |
 | Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | E Minor | 1 | 9A | 106 BPM | |
 | Suite en ré: Les niais de Sologne | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | |
 | Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | |
 | Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | |
![Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: III. [Allegro] by George Frideric Handel, Akademie für Alte Musik Berlin](https://i.scdn.co/image/ab67616d00001e0202c7ab39ccf7f834da1596a4) | Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: III. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 4 | 12B | 151 BPM | |
 | Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | |
 | Gluck: Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses | Christoph Willibald Gluck, Sir Neville Marriner, Academy of St. Martin in the Fields, Paul Davies | F Major | 0 | 7B | 76 BPM | |
 | Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | |
 | Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Sir Neville Marriner, Anthony Jenkins, Charles Medlam, Denis Vigay, John Constable, Raymund Koster, Stephen Shingles, William Hunt, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 168 BPM | |
 | The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | C Major | 2 | 8B | 99 BPM | |
 | Keyboard Suite No. 1 in B-Flat Major, HWV 434: IV. Minuet (Arr. W. Kempff for Piano) | George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | |
 | Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | |
 | Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | |
 | Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM | |
 | Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | |
 | Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: I. — | Johann Sebastian Bach, Amsterdam Baroque Orchestra, Ton Koopman, Jos Konnings, Ku Ebbinge, Michel Garcin-Marrou, Michel Henry, Monica Huggett, Paul Dombrecht | E Major | 3 | 12B | 84 BPM | |
 | Lieder ohne Worte, Op.19: No. 1 In E Major, MWV U 86 - "Sweet Remembrance" | Felix Mendelssohn, Daniel Barenboim | B Major | 0 | 1B | 89 BPM | |
 | Goldberg Variations (‘Air with Thirty Variations’), BWV 988: I. Largamente e cantato | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 96 BPM | |
 | Bwv 639: Choral Ich Ruf Zu Dir, Herr Jesu Christ | Ton Koopman | F♯ Minor | 0 | 11A | 62 BPM | |
![Ave Maria, CG 89a (After Prelude in C Major, BWV 846) [Version for Cello & Piano] by Charles Gounod, Johann Sebastian Bach, Steven Isserlis, Connie Shih](https://i.scdn.co/image/ab67616d00001e02d469cf8bb514476d34644573) | Ave Maria, CG 89a (After Prelude in C Major, BWV 846) [Version for Cello & Piano] | Charles Gounod, Johann Sebastian Bach, Steven Isserlis, Connie Shih | G Major | 6 | 9B | 157 BPM | |
 | Keyboard Sonata in B Minor, Kk. 87 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | |
 | Concerto in D for three Violins, two Oboes, Bassoon, Strings and Continuo, BWV1064: I. Allegro | Johann Sebastian Bach, Insieme Strumentale di Roma | D♭ Major | 3 | 3B | 90 BPM | |
 | Chaconne in D Minor, BWV 1004 (Andante maestoso, ma non troppo lento) | Ferruccio Busoni, Johann Sebastian Bach, Sandro Ivo Bartoli | E Minor | 0 | 9A | 73 BPM | |
 | 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM |
- ISRC
- USKC60714475
- Label
- L-M Records/RCA Records