Suraiya's ' "Ran Men Garje Kesari" was released on its scheduled release date, January 1, 1951. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Shokhiyan". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Ran Men Garje Kesari is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ran Men Garje Kesari by Suraiya having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dheerese Jana Bagiyan Men | Sachin Dev Burman | D Major | 3 | 10B | 140 BPM | ||
| Kaisi Yeh Judai Hai | Usha Mangeshkar, Shailendra Singh | G Major | 5 | 9B | 75 BPM | ||
| Zaalim Zamaanaa Mujhako Tumase Chhudaa Rahaa Hai (From ''Dillagi'') | Shyam, Suraiya | D♭ Major | 2 | 3B | 121 BPM | ||
| Main Is Masoom Chehre Ko | Suman Kalyanpur, Mohammed Rafi | A♭ Major | 4 | 4B | 100 BPM | ||
| Shair Bana Diya | Anwar Hussain, Laxmikant–Pyarelal | C Major | 3 | 8B | 63 BPM | ||
| Mat Piyo Mere Chhaila Tambakudi | Leela Pawar, Master Amritlal | F♯ Minor | 2 | 11A | 76 BPM | ||
| Toote Na Dil Toote Na | Mukesh | E♭ Major | 2 | 5B | 119 BPM | ||
| Ghir Ghir Aaye Badarwa Kare | Talat Mahmood, Mubarak Begum | F Minor | 3 | 4A | 72 BPM | ||
| Nainon Mein Preet Hai | Suraiya | E♭ Minor | 3 | 2A | 149 BPM | ||
| Beech Bhanwar Mein | Suraiya | C Major | 5 | 8B | 137 BPM | ||
| Zindagi Ae Zindagi | S. D. Burman | G Minor | 2 | 6A | 93 BPM | ||
| Tumi Aar Ami Sudhu | Shyamal Mitra | D♭ Major | 2 | 3B | 169 BPM | ||
| Jhoom Ae Dil Voh Mera Jan-E-Bahar | Masood Rana | B Minor | 4 | 10A | 131 BPM | ||
| Kismat Ki Jeb Mein | Mehmood | C Major | 4 | 8B | 109 BPM | ||
| Ae Shama Tu Bata | Suraiya | E Major | 2 | 12B | 136 BPM | ||
| Garibon Ki Duniya | K. L. Saigal, Suraiya | E Minor | 2 | 9A | 91 BPM | ||
| Ki Mishti Dekho Mishti | Sandhya Mukherjee | F♯ Minor | 3 | 11A | 107 BPM | ||
| Nadiya Mein Lehren Nache | Shyamal Mitra | A♭ Major | 4 | 4B | 125 BPM | ||
| Tere Khat - Nazm | Jagjit Singh | F♯ Major | 0 | 2B | 72 BPM | ||
| Ham Haal-E-Dil Sunaenge | Mubarak Begum | F♯ Minor | 1 | 11A | 89 BPM | ||
| Commentry Tabassum And Zindagi Ka Safar | Tabassum, Kishore Kumar | B♭ Major | 2 | 6B | 105 BPM | ||
| Are Kisne Chilman Se Mara | Manna Dey, S. D. Burman | F♯ Major | 7 | 2B | 79 BPM | ||
| Mere Chand Mere Lal | Lata Mangeshkar, Suraiya | F♯ Minor | 3 | 11A | 162 BPM | ||
| Hari Din To Beeta Sham Huyi | Rajkumari | A Major | 1 | 11B | 78 BPM | ||
| Gagan Yeh Samjhe Chand Sukhi Hai | Jaspal Singh | B Major | 4 | 1B | 125 BPM |