Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 by Camille Saint-Saëns, Pinchas Zukerman, Sir Charles Mackerras, London Symphony Orchestra Song Details

"Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188" by Camille Saint-Saëns, Pinchas Zukerman, Sir Charles Mackerras, London Symphony Orchestra had its release date on 1965. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Saint-Saëns: Piano Concertos Nos. 2, 4, Cello Concerto & Introduction et Rondo capriccioso". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 by Camille Saint-Saëns, Pinchas Zukerman, Sir Charles Mackerras, London Symphony Orchestra having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -22.332 dB
Acousticness: 99%
Danceability: 32%
Energy: 16%
Instrumentalness: 88%
Liveness: 14%
Loudness: 63%
Speechiness: 3%
Valence: 12%

Recommendations

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Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano)	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
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Nocturne No. 5 in B-Flat Major, H 37	John Field, Benjamin Frith	B♭ Major	0	6B	70 BPM
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The Seal Lullaby (Arr. Parkin)	Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason	D♭ Major	0	3B	81 BPM
Lyric Pieces, Book 1, Op. 12: Arietta	Edvard Grieg, Einar Steen-Nøkleberg	E♭ Major	0	5B	111 BPM
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne	Camille Saint-Saëns, Güher Pekinel, Éric Levionnais, Süher Pekinel	E♭ Major	1	5B	82 BPM
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Il barbiere di Siviglia: Overture (Sinfonia)	Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner	E Major	1	12B	92 BPM
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance	Dmitri Shostakovich, Tasmin Little, Piers Lane	C Major	1	8B	175 BPM
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Samson et Dalila: Bacchanale	Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser	A Minor	1	8A	109 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Major	0	10B	128 BPM