Niccolò Paganini, Itzhak Perlman's ' "Paganini: 24 Caprices, Op. 1: No. 11 in C Major" was released on its scheduled release date, February 1, 2000. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Paganini: 24 Caprices, Op. 1: No. 11 in C Major is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Paganini: 24 Caprices, Op. 1: No. 11 in C Major by Niccolò Paganini, Itzhak Perlman having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | ||
| Paganini Caprice no. 5 | Neil Black | B♭ Minor | 5 | 3A | 84 BPM | ||
| Introduction et rondo capriccioso, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | A Minor | 1 | 8A | 108 BPM | ||
| Romanza andaluza, Op.22 - 1990 Remastered Version | Pablo de Sarasate, Itzhak Perlman, Samuel Sanders | C Major | 1 | 8B | 100 BPM | ||
| Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
| Trio Sonata in D Minor, B. d2: III. Presto | Giuseppe Tartini, Marco Rogliano, Ensemble Respighi | F Major | 2 | 7B | 153 BPM | ||
| Seitz: Schüler-Konzert No. 2, Op. 13: II. Adagio | Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 1 | 10A | 79 BPM | ||
| Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM | ||
| Rachmaninov / Arr. Press & Gingold for Violin and Piano: 14 Romances, Op. 34: No. 14, Vocalise | Hermione Gingold, Michael Press, Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | E Minor | 2 | 9A | 98 BPM | ||
| Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Minor | 4 | 8A | 128 BPM | ||
| Sonata No. 6: Rondo | Moshe Hammer, Norbert Kraft, Niccolò Paganini | A Major | 2 | 11B | 101 BPM | ||
| 24 Caprices for Violin, Op. 1: No. 4 in C minor | Niccolò Paganini, Julia Fischer | C Major | 3 | 8B | 116 BPM | ||
| Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Major | 2 | 11B | 93 BPM | ||
| Bruch: Scottish Fantasy, Op. 46: II. Scherzo. Allegro - Adagio | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
| Sarasate: Introduction et Tarantelle, Op. 43 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | G Major | 2 | 9B | 117 BPM | ||
| Grieg: Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | C Minor | 1 | 5A | 83 BPM | ||
| Sonata Concertata for Guitar and Violin in A Major, Op. 61, MS2: 3. Rondeau. Allegretto con brio, scherzando | Mengla Huang, Xuefei Yang | A Major | 3 | 11B | 60 BPM | ||
| Sonata for Violin and Piano No. 2 in D Major, Op. 94a: II. Scherzo (Presto) | Sergei Prokofiev, Gidon Kremer, Martha Argerich | D Major | 2 | 10B | 147 BPM | ||
| 24 Caprices, Op.1 (2000 - Remaster): No. 4 in C Minor | Niccolò Paganini, Itzhak Perlman | A♭ Major | 2 | 4B | 95 BPM | ||
| Bottesini: Double Bass Concerto in B Minor: III. Finale. Allegro | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | G Major | 3 | 9B | 118 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: IV. Largo | Dmitri Shostakovich, Borodin Quartet | A♭ Major | 0 | 4B | 86 BPM | ||
| Bach, JS: Partita for Solo Violin No. 1 in B Minor, BWV 1002: VII. Tempo di bourrée | Johann Sebastian Bach, Itzhak Perlman | B Minor | 1 | 10A | 85 BPM | ||
| Légende, Op.17 | Henryk Wieniawski, Itzhak Perlman, Lawrence Foster | G Minor | 1 | 6A | 93 BPM | ||
| Conus: Violin Concerto in E Minor: I. Allegro molto | Julius Conus, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | E Minor | 2 | 9A | 98 BPM | ||
| Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM |