"Locke: Suite No. 1 in D Minor (from "Duos for Two Bass Viols"): I. Fantasy" by Matthew Locke, Fretwork had its release date on September 15, 2008. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 113 in English Music For Viols by Fretwork. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Locke: Suite No. 1 in D Minor (from "Duos for Two Bass Viols"): I. Fantasy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Locke: Suite No. 1 in D Minor (from "Duos for Two Bass Viols"): I. Fantasy by Matthew Locke, Fretwork is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alcyone: Chaconne | Marin Marais, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 125 BPM | ||
| Preludio I | Nicola Matteis, Gli Incogniti, Amandine Beyer | A Major | 4 | 11B | 76 BPM | ||
| Ouverture in E Minor: VII. Gavotte en rondeau | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 98 BPM | ||
| Ouverture in E Minor: III. Menuets I & II | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 1 | 7B | 179 BPM | ||
| Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 103 BPM | ||
| Concerto Rv 441: In Do Minore, Per Flauto, Archi E Basso Continuo - Untitled | Antonio Vivaldi, Barokkanerne, Alexandra Opsahl, Per Hannisdal | F♯ Major | 1 | 2B | 85 BPM | ||
| Sonate concertate in stil moderno, Book 1: No. 6, Sonata à 2 | Dario Castello, Ecco la musica | D♭ Major | 1 | 3B | 114 BPM | ||
| Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Minor | 2 | 11A | 113 BPM | ||
| Concerto grosso No. 4 in F Major, Op. 3/4, HWV 315: III. Allegro | George Frideric Handel, Jonathan Cohen, Arcangelo | D Major | 1 | 10B | 136 BPM | ||
| Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| Premier Concert: Menuet En Trio (Couperin) | François Couperin, Jordi Savall | G Major | 1 | 9B | 131 BPM | ||
| Première suite à 3 violes in D Major: No. 4, Sarabande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 4 | 11A | 88 BPM | ||
| Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
| Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
| 12 Sonatas, Op. 16, Sonata prima: II. Largo | Isabella Leonarda, Cappella Strumentale del Duomo di Novara | F♯ Major | 0 | 2B | 85 BPM | ||
| Suite En Si Mineur: Sarabande, II.89 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 2 | 3A | 62 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Concerto Armonico No. 6 in E-Flat Major: Vivace | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 126 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Suite Premiere - Ii. Menuet I-Ii-I (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Major | 1 | 5B | 134 BPM | ||
| Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
| Sonata for 4 Violins in C Major, TWV 40:203: IV. Allegro | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | B Major | 2 | 1B | 127 BPM |