- BPM
- 96
- Key
- A Minor
- Camelot
- 8A
Talveunelmad by Rudolf Tobias, VHK keelpilliorkester, Rasmus Puur Song Details
Rudolf Tobias, VHK keelpilliorkester, Rasmus Puur's 'Talveunelmad' had a release date set for July 25, 2024. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Talveunelmad's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Rudolf Tobias". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Estonia. In terms of popularity, Talveunelmad is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Talveunelmad by Rudolf Tobias, VHK keelpilliorkester, Rasmus Puur having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.05 dB
- Acousticness
- 98%
- Danceability
- 23%
- Energy
- 7%
- Instrumentalness
- 92%
- Liveness
- 7%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 21%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem: III. Domine | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | A Major | 2 | 11B | 88 BPM | |
 | Music, the Master of thy Art is Dead | William Lawes, Robin Pharo, Ensemble Près de votre oreille | D Major | 1 | 10B | 74 BPM | |
 | Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | |
 | Requiem, Op. 9: Introit | Maurice Duruflé, Ivan Repušić, Munich Radio Orchestra, Bavarian Radio Chorus | F Major | 1 | 7B | 130 BPM | |
 | Elias, Op. 70, MWV A25, Part I: No. 2, Duet with Choir "Herr, höre unser Gebet!" | Felix Mendelssohn, Delphine Collot, Monica Groop, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | |
 | Grande Messe des Morts: XVI. Sequentia: Judicandus - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | B♭ Major | 1 | 6B | 113 BPM | |
 | Requiem: III. Tuba mirum - Live Recording | Franz von Suppé, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | A Minor | 0 | 8A | 71 BPM | |
 | Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | A Major | 2 | 11B | 112 BPM | |
 | Messe F-Moll, WAB 28: IV. Sanctus | Anton Bruckner, Joseph Moor, Hans-Jörg Mammel, Philippe Herreweghe, Ingela Bohlin, RIAS Kammerchor, Alfred Reiter, Ingeborg Danz | F Major | 1 | 7B | 111 BPM | |
 | Petite messe solennelle: Et resurrexit | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | E Major | 2 | 12B | 137 BPM | |
 | Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Credo in unum Deum | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | |
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 68 BPM | |
 | Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | |
 | Litanie Lauretanae | Bohuslav Matěj Černohorský, Milada Čechalová-Jirglová, Marie Mrazova, Jiri Langmajer, Jiří Bíba, Prague Madrigal Singers and Orchestra, Svatopluk Jányš | F Major | 1 | 7B | 88 BPM | |
 | Mass in D Major, Op. 86 / Kyrie: Ib. Christe | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Minor | 1 | 6A | 78 BPM | |
 | Requiem, Op.48: 2. Offertorium: Domine Jesu Christe | Gabriel Fauré, Gilles Cachemaille, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 0 | 10B | 80 BPM | |
| Mass in D Major, Op. 86 / Credo: IIIb. Et incarnatus est | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | |
 | Misatango, Misa a Buenos Aires: III. Gloria | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 82 BPM | |
 | 6 songs, Op. 36: No. 1, Svarta rosor | Jean Sibelius, Kari Lövaas, Erik Werba | A Major | 2 | 11B | 112 BPM | |
 | Requiem, Op. 9: I. Introït | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | F Major | 1 | 7B | 76 BPM | |
 | Joonas, Scene 3: Aaria. Sinu tahet (Jonah) | Rudolf Tobias, Taavi Tampuu, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Major | 1 | 11B | 92 BPM | |
| Joonas: Prologue: Arioso. Ei usu te mu sõna (Jonah) | Rudolf Tobias, Taavi Tampuu, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Major | 1 | 11B | 92 BPM | |
 | The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 2 | 11B | 112 BPM | |
 | Magnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T) | Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 3 | 2B | 139 BPM | |
 | Cantate, ariette, e duetti, Op. 2: No. 9, La vendetta | Barbara Strozzi, Laura Catrani, Accademia dell'Annunciata, Riccardo Doni | A Major | 2 | 11B | 112 BPM |
- ISRC
- EEOA32400009
- Label
- L-M Records/RCA Records