Петр Чайковский, Муслим Магомаев, Борис Абрамович's 'Средь шумного бала' had a release date set for 1972. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Средь шумного бала's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Романсы Петра Чайковского, so we believe that "Средь шумного бала" is a single. Средь шумного бала is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Средь шумного бала by Петр Чайковский, Муслим Магомаев, Борис Абрамович is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
| Un ballo in maschera, Act I: Posa in pace | Giuseppe Verdi, Ruggero Raimondi, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano | B♭ Minor | 1 | 3A | 78 BPM | ||
| Die Fledermaus: Overture | Johann Strauss II, Friedrich Haider, WDR Rundfunkorchester Köln | B Minor | 1 | 10A | 99 BPM | ||
| Mozart: Die Zauberflöte, K. 620, Act 2: Duett. "Pa-Pa-Pa-Papagena" (Papageno, Papagena) | Wolfgang Amadeus Mozart, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen, Elisabeth Boudreault | D Major | 2 | 10B | 111 BPM | ||
| Les yeux noirs (Otschi Kornia) | Ivan Rebroff | E Minor | 5 | 9A | 105 BPM | ||
| Liebestod | Richard Wagner, Kirsten Flagstad | D♭ Minor | 1 | 12A | 110 BPM | ||
| Grieg: Suite from Peer Gynt No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Major | 1 | 12B | 183 BPM | ||
| Romeo and Juliet, Op. 64 / Act 1: 13. Dance of the Knights | Sergei Prokofiev, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 0 | 10B | 131 BPM | ||
| Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | ||
| Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Arab Dance | Paavo Berglund | E Minor | 1 | 9A | 124 BPM | ||
| Fidelio, Op. 72, Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
| Waldteufel Waltzes | Émile Waldteufel, Erich Kunzel, Cincinnati Pops Orchestra | A Major | 1 | 11B | 174 BPM | ||
| Le nozze di Figaro, K.492, Act III: Duettino. "Canzonetta sull aria" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
| Раскинулось море широко | Leonid Utyosov | C Major | 2 | 8B | 156 BPM | ||
| Rigoletto / Act 3: "La donna è mobile" - "E là il vostr'uomo" (Duca / Sparafucile, Rigoletto) | Giuseppe Verdi, Luciano Pavarotti, Roberto Scandiuzzi, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | B Major | 1 | 1B | 79 BPM | ||
| Do-Re-Mi - From "The Sound of Music" | Richard Rodgers, Vienna Boys' Choir, Peter Marschik | B♭ Major | 5 | 6B | 110 BPM | ||
| То было раннею весной | Петр Чайковский, Муслим Магомаев, Борис Абрамович | D♭ Major | 2 | 3B | 95 BPM | ||
| Что мне горе | Pyotr Leshchenko | D Minor | 1 | 7A | 98 BPM | ||
| La del soto del parral: Ronda de enamorados | Reveriano Soutullo, Juan Vert, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | D Major | 0 | 10B | 73 BPM | ||
| Messa di gloria, SC 6: IIc. Gloria. Qui tollis peccata mundi - Live | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | C Minor | 1 | 5A | 77 BPM | ||
| Майский вальс | Ярослав Евдокимов | E Minor | 7 | 9A | 107 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Old Waltz [Starinnыj valjs] (1949) | Russian Brass Band | C Minor | 3 | 5A | 105 BPM | ||
| Vernulsja ja na Rodinu | Leonid Utyosov | B♭ Minor | 4 | 3A | 173 BPM | ||
| Ночь светла | Oleg Pogudin | D Minor | 2 | 7A | 84 BPM |