Double Edge's 'I Am the Vine' had a release date set for January 1, 1989. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 10 in Foot Prints by Double Edge. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. I Am the Vine is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Am the Vine by Double Edge is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Music for 18 Musicians: Section IIIB | Steve Reich | E Major | 3 | 12B | 111 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | A Major | 1 | 11B | 118 BPM | ||
| Art Deco | Laurent Dury | A Major | 1 | 11B | 118 BPM | ||
| Natural Patterns | Josh Wynter | C Minor | 3 | 5A | 80 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| 2x5: I. Fast | Steve Reich, Mats Bergström, Johan Liljedahl, Svante Henryson, Magnus Persson, Jonas Ostholm | F Minor | 9 | 4A | 119 BPM | ||
| Act III: Trial, Prison, "I Feel The Earth Move" | Philip Glass Ensemble | G Major | 1 | 9B | 75 BPM | ||
| The Human Plague | Sufjan Stevens, yMusic | B Minor | 2 | 10A | 120 BPM | ||
| Music for 18 Musicians: Section V | Steve Reich | D♭ Minor | 6 | 12A | 104 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | A Major | 1 | 11B | 118 BPM | ||
| Adjust | Bendik Giske | B♭ Minor | 6 | 3A | 67 BPM | ||
| Chupachups | Neslihan Atagoz, Telepatia | C Major | 2 | 8B | 85 BPM | ||
| Cos I Am a Really Complicated Racoon | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| Breathe Easy | Rylandiaa | F Minor | 7 | 4A | 147 BPM | ||
| Niezwyciężonym: IId. Walka o niepodległość, Nawała bolszewicka 1920 | Tomasz Trzcinski | E Minor | 4 | 9A | 76 BPM | ||
| Zel | ZylyP | G Major | 2 | 9B | 95 BPM | ||
| All My Ladies | Double Edge | B Major | 8 | 1B | 131 BPM | ||
| A Hudson Cycle | Nico Muhly | B♭ Minor | 1 | 3A | 142 BPM | ||
| Passion | Double Edge | D♭ Major | 7 | 3B | 77 BPM | ||
| After the Rain: III. Antiphon | Barry Guy, Richard Hickox, City of London Sinfonia | D Major | 3 | 10B | 83 BPM | ||
| High | Bendik Giske | D Minor | 5 | 7A | 130 BPM | ||
| Creation of Light | Yom | A Major | 1 | 11B | 118 BPM | ||
| Take A Couple Tokes | Double Edge, R.O., Dro | B Major | 4 | 1B | 89 BPM | ||
| Rothko Chapel 3 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| The Mosaic | Shaan Rhythm | A Major | 1 | 11B | 118 BPM |