"Dona Nobis Pacem 2" by Max Richter had its release date on December 2, 2014. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "The Leftovers: Season 1 (Music from the HBO Series)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Dona Nobis Pacem 2 is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dona Nobis Pacem 2 by Max Richter having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Infra 2 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | D Minor | 1 | 7A | 85 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Who's There | Peter Sandberg | E Minor | 1 | 9A | 136 BPM | ||
| Clouds, The Mind on the (Re)Wind | Ezio Bosso | D Minor | 2 | 7A | 100 BPM | ||
| Justice | Patrick Doyle | D Major | 2 | 10B | 140 BPM | ||
| Sunshine (Adagio in D Minor) | John Murphy | G Major | 4 | 9B | 119 BPM | ||
| Fortanach - Piano Version | Sebastian Plano, Kindt | G Minor | 1 | 6A | 148 BPM | ||
| The Gravel Road - Score | James Newton Howard | G Minor | 1 | 6A | 86 BPM | ||
| Perihelion | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj | F Major | 2 | 7B | 67 BPM | ||
| The Untold | Secession Studios | D♭ Major | 4 | 3B | 120 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Ghosts in the Brazos | Slow Meadow | A Minor | 2 | 8A | 144 BPM | ||
| Into Eternity - From "Thor: The Dark World"/Score | Brian Tyler | B♭ Major | 2 | 6B | 84 BPM | ||
| F Major | Hania Rani | B♭ Minor | 0 | 3A | 142 BPM | ||
| Carousel #3 | Federico Albanese | G Minor | 0 | 6A | 116 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| Fyrsta | Ólafur Arnalds | C Minor | 1 | 5A | 134 BPM | ||
| Rosary | Anne Nikitin | A Minor | 2 | 8A | 70 BPM | ||
| De Profundis | Max Richter | A Minor | 1 | 8A | 62 BPM | ||
| Perpetuum | Angus MacRae | C Minor | 3 | 5A | 128 BPM | ||
| Brandon | Harry Escott | G Minor | 1 | 6A | 120 BPM | ||
| Stream | Adrián Berenguer | A Minor | 2 | 8A | 75 BPM | ||
| By the Deep Sea | Federico Albanese | F Minor | 2 | 4A | 120 BPM | ||
| Lily's Theme | Alexandre Desplat | F♯ Major | 0 | 2B | 73 BPM | ||
| Daggers | Martin Phipps | A Minor | 3 | 8A | 136 BPM |