湯山昭, Haruko Ueda's '間奏曲2. どうしてふとるのかしら' had a release date set for August 12, 2015. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 湯山昭 3大ヒットピアノ曲集, so we believe that "間奏曲2. どうしてふとるのかしら" is a single. In terms of popularity, 間奏曲2. どうしてふとるのかしら is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 間奏曲2. どうしてふとるのかしら by 湯山昭, Haruko Ueda is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasiestücke, Op. 61: No. 2, Ein Traum | Sergei Bortkiewicz, Bortkiewicz, Sergei, Zhenni Li-Cohen | F♯ Minor | 0 | 11A | 76 BPM | ||
| 夢 | Claude Debussy, Mari Kumamoto | F Major | 0 | 7B | 57 BPM | ||
| クリスタルなセレナーデ | 湯山昭, 堀江真理子 | D♭ Major | 0 | 3B | 108 BPM | ||
| Andante in G Major, Op. 2 No. 1 (1836) | Fanny Mendelssohn, Helen Cawthorne | E Major | 2 | 12B | 79 BPM | ||
| ブルクミュラー25の練習曲: 20. タランテラ | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| On an Overgrown Path, Book 1, JW VIII/17: No. 6, Nelze domluvit! | Leoš Janáček, Jennifer Elowsky-fox | B♭ Minor | 0 | 3A | 92 BPM | ||
| Holberg Suite, Op. 40: IV. Air. Andante religioso | Edvard Grieg, Aristo Sham | G Major | 2 | 9B | 148 BPM | ||
| 予言の鳥(森の情景 作品82の7) | Robert Schumann, Fujiko Hemming | E Major | 0 | 12B | 99 BPM | ||
| Masquerade Suite (Arr. for Piano by Alexander Dolukhanian): IV. Romance | Aram Khachaturian, Mikael Ayrapetyan | B♭ Major | 3 | 6B | 166 BPM | ||
| Nocturne sentimental on a Theme of Strauss, Op. 537 | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| Liebesleid | Fritz Kreisler, Cocomi, Alexander Gadjiev | D Major | 1 | 10B | 175 BPM | ||
| 楽興の時 ヘ短調 D.780-3 | ペーター・レーゼル | F Minor | 1 | 4A | 99 BPM | ||
| ワルツ 第3番 イ短調 Op.34-2 「華麗な円舞曲」 | Dina Yoffe | A Minor | 0 | 8A | 65 BPM | ||
| ラフマニノフ:ヴォカリーズ | Sergei Rachmaninoff, Shinya Kiyozuka | A Major | 2 | 11B | 130 BPM | ||
| Piano Sonata in G Minor: II. Adagio | Clara Schumann, Gabriela Montero, Alexander Shelley, Canada's National Arts Centre Orchestra | B♭ Major | 0 | 6B | 71 BPM | ||
| トロイメライ(R.シュトラウス) | 松本和将 | B Major | 0 | 1B | 91 BPM | ||
| Libertango | 宮田 大, ジュリアン・ジェルネ | B Major | 1 | 1B | 97 BPM | ||
| 虹をわたる音楽隊 | 湯山昭, 堀江真理子 | C Major | 1 | 8B | 130 BPM | ||
| 15:バラード(ブルグミュラー:25の練習曲 作品100) | Friedrich Burgmüller, 伊奈和子 | E♭ Major | 1 | 5B | 179 BPM | ||
| 水の戯れ - ラヴェル | Nobuyuki Tsujii | A Major | 2 | 11B | 135 BPM | ||
| ニュー・シネマ・パラダイス〜成長〜愛のテーマ <ニュー・シネマ・パラダイス> | 及川浩治 | B♭ Major | 1 | 6B | 70 BPM | ||
| 8 Nocturnes romantiques de différents caractères, Op. 604: No. 3, La persuasion | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| 即興曲集: 第15番 ハ短調(エディット・ピアフを讃えて) | Francis Poulenc, 碇山典子 | C Minor | 1 | 5A | 61 BPM | ||
| ピアノ・ソナタ 第8番 ハ短調 作品13 《悲愴》: 第3楽章: Rondo. Allegro | Ludwig van Beethoven, Nobuyuki Tsujii | C Minor | 1 | 5A | 177 BPM | ||
| クロワッサンの月 | 湯山昭, 堀江真理子 | A♭ Major | 1 | 4B | 102 BPM |