Violin Concerto In A, Op. 101: 2. Largo con gran espressione by Max Reger, Walter Forchert, Bamberg Symphony, Horst Stein Song Details

Max Reger, Walter Forchert, Bamberg Symphony, Horst Stein's 'Violin Concerto In A, Op. 101: 2. Largo con gran espressione' had a release date set for June 29, 2018. This song appears to be safe for all ages as it is not explicit. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Concertos, Sinfonietta" album is number 21 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Violin Concerto In A, Op. 101: 2. Largo con gran espressione is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Violin Concerto In A, Op. 101: 2. Largo con gran espressione by Max Reger, Walter Forchert, Bamberg Symphony, Horst Stein to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -23.702 dB
Acousticness: 92%
Danceability: 33%
Energy: 14%
Instrumentalness: 49%
Liveness: 12%
Loudness: 60%
Speechiness: 4%
Valence: 22%

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