Bijli Rani's ' "Gulari Ke Phool" was released on its scheduled release date, April 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 7 in Bob Cut Mein by Bijli Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Gulari Ke Phool is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gulari Ke Phool by Bijli Rani is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ram Nam Tu Bhaj Le Pradi | Parmod Kumar | D♭ Major | 6 | 3B | 85 BPM | ||
| Tor Sang Bharamthe Mola | Gorelal Barman, Ratan Sabiha | F♯ Major | 7 | 2B | 160 BPM | ||
| Kekari Padal Bad | Bijli Rani | A♭ Major | 9 | 4B | 116 BPM | ||
| Ladike Hiya Badi Chooji Re | Naresh Kumar Yadav, Bijli Rani | B♭ Major | 7 | 6B | 110 BPM | ||
| Khatu Shyam Mandir Aarti | Anup Jalota, Devyani Majumdar | F Major | 6 | 7B | 94 BPM | ||
| Bhangiya Mein Maja Ka Paie | Kalpana Patowary | B♭ Minor | 5 | 3A | 154 BPM | ||
| Jeans Ke Chain Khichawaal Kar | Naresh Kumar Yadav, Bijli Rani | A♭ Major | 9 | 4B | 147 BPM | ||
| Saiyan Chod Ke Dhandha Aav | Madan Rai | D♭ Major | 5 | 3B | 91 BPM | ||
| Pritam Aha Bina Nhi Chain Yai | Dilip Dharbhangiya | A♭ Minor | 7 | 1A | 142 BPM | ||
| Naina Har Havay Kajarli | Gorelal Barman, Ratan Sabiha | F♯ Minor | 8 | 11A | 76 BPM | ||
| Jhoolat Baare Palna | Bijli Rani | F Minor | 6 | 4A | 171 BPM | ||
| Laika Hoi Computer Se | Bikki Bahar, Bijli Rani | E Major | 8 | 12B | 90 BPM | ||
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| Sab Kuch Karih Pyar Na Karih | Kalpana Patowary, Suresh Wadkar | C Major | 4 | 8B | 78 BPM | ||
| Saji Lagli Dulhan Dekho | Prem Kumar, Tripti Shakya, Bijli Rani | A♭ Major | 6 | 4B | 90 BPM | ||
| Lalka Rumaliya | Bijli Rani | B♭ Major | 7 | 6B | 110 BPM | ||
| Harahu Kalesh Hamar | Dilip Darbhangiya | F♯ Major | 9 | 2B | 107 BPM | ||
| Maithili Mithila Varnan | Rambabu Jha | E Major | 4 | 12B | 131 BPM | ||
| Dulha Vama Kaniya | Poonam Mishra | A Major | 9 | 11B | 95 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Boka Bigral Ba | Bijli Rani, Rekha Rani | E Major | 7 | 12B | 140 BPM | ||
| Nain Sa Nain Milal | Kunj Bihari Mishr, Mithla Ratan | F♯ Major | 7 | 2B | 104 BPM | ||
| Bhalobese Bhikhari Holam | Gostho Gopal Das | F♯ Major | 7 | 2B | 92 BPM | ||
| Dhadhkat Aagi Ma | Gorelal Burman, Ratan Sabiha | E Major | 7 | 12B | 138 BPM | ||
| Vari Jau Vahalajine | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM |