Bijli Rani's ' "Lalka Rumaliya" was released on its scheduled release date, February 1, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bijli Rani's "Gaadi No.11" album is number 6 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Lalka Rumaliya is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Lalka Rumaliya by Bijli Rani to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Janni Nithoor Bisrayih Na Lalanwa | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Koi Na Pyar Kare | Devinder Kohinoor | A Major | 5 | 11B | 146 BPM | ||
| Mandar Baje Panthi Ke Dhun Ma | Dukalu Yadav | G Major | 9 | 9B | 123 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Teri Armaano Ka Jaadu | Super Cassettes Industries Private Limited, Sameer Anjaan | A♭ Major | 9 | 4B | 105 BPM | ||
| Maiya Ke Mahima Aparampaar | Bharat Sharma Vyas | A♭ Minor | 7 | 1A | 118 BPM | ||
| Gire Na Abhe Dudh Ke Daant | Deshraj Narvariya | F♯ Major | 10 | 2B | 128 BPM | ||
| Dev Ke Mandiriya | Bijli Rani | A Minor | 5 | 8A | 105 BPM | ||
| Saji Lagli Dulhan Dekho | Prem Kumar, Tripti Shakya, Bijli Rani | A♭ Major | 6 | 4B | 90 BPM | ||
| Kan Kan Su Gunje Jay Jay Rajasthan | Prakash Mali | B♭ Minor | 7 | 3A | 87 BPM | ||
| Meladi Ma Parchadi | Jayesh Barot, Mahalaxmi Iayar, Vikram Thakor, Sadhana Sargam, Nisha Barot | G Major | 9 | 9B | 145 BPM | ||
| Maan Jayi Aayi Raja Ji Dil Main Samayi | Bijli Rani | C Major | 5 | 8B | 78 BPM | ||
| Chal Turi Chal Turi | Mithlesh Sahu, Alka Chandrakar | F♯ Major | 8 | 2B | 136 BPM | ||
| Sanwara Suratiya | Sharda Sinha | A♭ Major | 6 | 4B | 144 BPM | ||
| Dak Diyeche Doyal Amare | Rakhi Dasi Baul | G Major | 8 | 9B | 188 BPM | ||
| Bhasur Ji Tumko Sunau Re | Bijli Rani | C Minor | 10 | 5A | 125 BPM | ||
| Pratham Pahela Samariye | Ratan Sinh Vaghela, Damyanti Barot | A Minor | 6 | 8A | 88 BPM | ||
| Chondo Haeen Preen | Fozia Soomro | F Minor | 7 | 4A | 102 BPM | ||
| Dilruba | Satish Das | F Minor | 6 | 4A | 70 BPM | ||
| Khuda Aye Pak Ki Rehmat Kahar Hai Beti | Tahir Chishti | F Major | 9 | 7B | 102 BPM | ||
| Piya More Bohot Nadan Baa | Bijli Rani | E Minor | 6 | 9A | 160 BPM | ||
| Sun To Mor Bhouji | Ratan Sabiha | G Minor | 6 | 6A | 156 BPM | ||
| Meri Mavt Ka Sandesa | Devinder Kohinoor | C Major | 6 | 8B | 109 BPM | ||
| Suna A Driver Raja | Khesari Lal Yadav | F Minor | 8 | 4A | 143 BPM | ||
| পিঞ্জিরা ছাড়িয়া পাখী | Rakhi Dasi Baul | F Major | 7 | 7B | 91 BPM |