"Commentary on a Vision: III." by Alexander Raskatov, Symphony Orchestra "S. Rachmaniov" Moscow, Mark Pekarski, Valentin Ponkin had its release date on 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Raskatov: Commentary on a Vision / Xenia". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Commentary on a Vision: III.'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Commentary on a Vision: III. by Alexander Raskatov, Symphony Orchestra "S. Rachmaniov" Moscow, Mark Pekarski, Valentin Ponkin having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clarinet & Saxophone Concerto: III. Laurentian Rapids, Pt. 1 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | A♭ Major | 3 | 4B | 174 BPM | ||
| Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
| Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
| I Will See a Rose at the End of the Path: VIII. Espressivo | Quatuor Danel, Elena Vassilieva | F Major | 0 | 7B | 108 BPM | ||
| Shaker Loops: 4. A Final Shaking | John Adams, San Francisco Symphony, Edo de Waart | E Minor | 2 | 9A | 171 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| Castillo Interior: Adagio [Fig. 14] | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Five Movements for String Quartet, Op. 5: I. Heftig bewegt | Anton Webern, Leonkoro Quartet | A Major | 1 | 11B | 90 BPM | ||
| Dolce Farniente | Alexander Raskatov, Nederlands Blazers Ensemble, Pieter Wispelwey, François CASTIELLO | B Major | 1 | 1B | 85 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l’Ange qui annonce la fin du Temps | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | A Major | 1 | 11B | 90 BPM | ||
| Aubade, Op. 63: I. Lento | Lars-Erik Larsson, Marion Walker, Sara Övinge, Anders Rensvik, Kari Ravnan | C Major | 0 | 8B | 170 BPM | ||
| Enescu: String Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée | George Enescu, Quatuor Ébène, Belcea Quartet | A Major | 1 | 11B | 90 BPM | ||
| Lyric Suite: III. Allegro misterioso - Trio estatico | Alban Berg, Leonkoro Quartet | A Major | 1 | 11B | 90 BPM | ||
| 5 Pieces for String Quartet: No. 5, Alla Tarantella | Erwin Schulhoff, Aviv Quartet | A Minor | 2 | 8A | 80 BPM | ||
| 3 Miniatures for Clarinet and Piano (I. Allegro II. Andante Cantabile III. Allegro Ma Non Troppo) | Krzysztof Penderecki, Anna Miernik, Barbara Borowicz | B♭ Major | 3 | 6B | 81 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Symphony No. 1 "Polyphonic": I. Canons | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Moon Ritual | Luna Mystic | D Minor | 1 | 7A | 84 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| Le sacre du printemps / Pt. 2: Le sacrifice: IX. Introduction | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | D Minor | 0 | 7A | 81 BPM | ||
| Bruremarsj frå Beiarn (Perf. on Sheng, Viola & Double Bass) | Traditional, Wu Wei, Martin Stegner, Janne Saksala | D Major | 0 | 10B | 130 BPM |