"Covert Infil" by Nathan Furst had its release date on January 1, 2012. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 20 in Act Of Valor (The Score) by Nathan Furst. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Covert Infil is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Covert Infil by Nathan Furst is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How It Ends | Atli Örvarsson | A♭ Major | 7 | 4B | 112 BPM | ||
| Kirin Hunt | Ilan Eshkeri | B♭ Major | 4 | 6B | 75 BPM | ||
| Prophecy of a Seventh | Nathan Furst | G Major | 1 | 9B | 138 BPM | ||
| John Fucking Kinley | Chris Benstead | E Major | 2 | 12B | 120 BPM | ||
| Woven Horizon | Anne Pedersen | A♭ Major | 2 | 4B | 175 BPM | ||
| Dougie | Chris Benstead | A Major | 1 | 11B | 132 BPM | ||
| Concentrated | Tense Music | C Major | 3 | 8B | 123 BPM | ||
| Silentgrid | Velora | F♯ Minor | 4 | 11A | 105 BPM | ||
| The Summit | Ramin Djawadi | G Minor | 4 | 6A | 108 BPM | ||
| Night Drop | Nathan Furst | C Major | 1 | 8B | 93 BPM | ||
| I’m Not Asking | Hampus Naeselius | A♭ Major | 3 | 4B | 65 BPM | ||
| Snapped | Mac Quayle | C Major | 6 | 8B | 99 BPM | ||
| Run For Your Life | The Inspire | F♯ Minor | 10 | 11A | 150 BPM | ||
| Negotiating the Confession (Alt) | Paul Leonard-Morgan | D Minor | 2 | 7A | 54 BPM | ||
| Arena Challenge | Nathan Furst | C Major | 3 | 8B | 151 BPM | ||
| Let The Girls Out | Ryan Amon | G Major | 2 | 9B | 170 BPM | ||
| Battle at the Fort | Ilan Eshkeri | F♯ Minor | 6 | 11A | 130 BPM | ||
| Transpire | Hampus Naeselius | D Major | 2 | 10B | 78 BPM | ||
| Norah's Theme | Marco Beltrami, Brandon Roberts | D Minor | 1 | 7A | 170 BPM | ||
| Seguros de Todo | Valores Especiales | A Minor | 3 | 8A | 108 BPM | ||
| The Beast Is On the Move | West Dylan Thordson | F♯ Major | 1 | 2B | 69 BPM | ||
| Did It Again | Joel Sandro, Joel | F♯ Major | 2 | 2B | 95 BPM | ||
| Diamonds | Rupert Gregson-Williams | D♭ Major | 1 | 3B | 121 BPM | ||
| Let's Just Get Out of Here | Mike Zarin, Tony Hajjar | B Minor | 9 | 10A | 140 BPM | ||
| Warsaw in Ruins | David Schweitzer | D Minor | 6 | 7A | 86 BPM |