"Advent-Motette Op. 176: VIII. Prope est Dominus" by Josef Rheinberger, Vocalensemble Rastatt, Holger Speck had its release date on February 1, 2003. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Advent-Motette Op. 176: VIII. Prope est Dominus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Josef Rheinberger, Vocalensemble Rastatt, Holger Speck's "Josef Gabriel Rheinberger: Christus factus est (Musica sacra VII)" album is number 14 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Advent-Motette Op. 176: VIII. Prope est Dominus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Advent-Motette Op. 176: VIII. Prope est Dominus by Josef Rheinberger, Vocalensemble Rastatt, Holger Speck to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I am my brothers´s keeper | Sjaella | C Major | 1 | 8B | 130 BPM | ||
| Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
| Amabile Alleluia | Sarah Quartel, Reading Phoenix Choir, Christopher Hann | E♭ Major | 2 | 5B | 99 BPM | ||
| Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
| Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
| Hymnen, Op. 140: V. Angelus suis | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 102 BPM | ||
| Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
| Sonata No. 1 in C Minor, Op. 27: I. Praeludium | Josef Rheinberger, Christian von Blohn | C Major | 2 | 8B | 64 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| O vos omnes | Pablo Casals, Choir of Jesus College, Cambridge, Mark Williams | F Minor | 0 | 4A | 90 BPM | ||
| Last Office of Night | Night Monastery | E Major | 2 | 12B | 131 BPM | ||
| Charakterstücke in canonischer Form, Op. 180: V. Liebesduett | Josef Rheinberger, Jurg Hanselmann | A♭ Major | 0 | 4B | 99 BPM | ||
| 2 Romantische Gesänge, Op. 106: I. Harald | Josef Rheinberger, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | B♭ Major | 1 | 6B | 111 BPM | ||
| Geistliche Chormusik, Op. 11: Die mit Tränen säen, SWV 378 | Heinrich Schütz, Philippe Herreweghe, Collegium Vocale Gent | B Minor | 1 | 10A | 68 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| MAGNIFICAT: VII. Gloria Patri | Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Magne H. Draagen, Maria Næss | A Minor | 1 | 8A | 173 BPM | ||
| MAGNIFICAT: I. Magnificat anima mea | Kim André Arnesen, Nidarosdomens jentekor, TrondheimSolistene, Anita Brevik, Magne H. Draagen, Øyvind Gimse | E Minor | 1 | 9A | 87 BPM | ||
| Quando corpus morietur | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | B Minor | 0 | 10A | 173 BPM | ||
| Nunc dimittis in C | Charles Villiers Stanford, The King's Consort, Robert King | B♭ Major | 1 | 6B | 82 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Upon Your Heart | Eleanor Daley, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Major | 1 | 12B | 71 BPM | ||
| Officium defunctorum: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 69 BPM | ||
| Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | ||
| Osculetur me osculo à 8 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | D Minor | 1 | 7A | 135 BPM | ||
| Cor meum conturbatum est, IOL 58 | Orlande de Lassus, Pro Musica, Szabó Dénes | D Minor | 1 | 7A | 82 BPM |