Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova's 'Pinocchio: IX. Il Gatto e la Volpe' had a release date set for August 25, 2023. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Pinocchio: IX. Il Gatto e la Volpe's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Pinocchio (Suite per Orchestra d'Archi e Mandolino)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. Pinocchio: IX. Il Gatto e la Volpe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pinocchio: IX. Il Gatto e la Volpe by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | E Major | 1 | 12B | 88 BPM | ||
| Liebesleid, Old Viennese Dance No. 2 (Arr. Fougeray for Violin and Guitar) | Fritz Kreisler, María Dueñas, Raphaël Feuillâtre | A Major | 1 | 11B | 99 BPM | ||
| Deux Arabesques, L. 66: No. 1 in E Major, Andantino con moto | Claude Debussy, New European Ensemble, Felicia van den End, James Meldrum, Astrid Haring, Emlyn Stam, Willem Stam | G Major | 0 | 9B | 53 BPM | ||
| Bottesini: Double Bass Concerto No. 2 in B Minor: I. Allegro moderato | Giovanni Bottesini, Mikyung Sung, Clay Couturiaux, Bradetich Competition Orchestra | G Major | 2 | 9B | 108 BPM | ||
| Dinner - From "The Lady Caliph" | Metamorphose String Orchestra, Ivan Renanskiy, Pavel Lyubomudrov | D Major | 1 | 10B | 87 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| Dancing Doll - Clarinet and String Orchestra | Michele Mangani, Seunghee Lee, Manhattan Chamber Players | B♭ Major | 1 | 6B | 137 BPM | ||
| Desplat: The Grand Budapest Hotel | Alexandre Desplat, Emmanuel Pahud, Florentino Calvo, Orchestre National De France | F Major | 2 | 7B | 76 BPM | ||
| Suite for Strings, I. A-Roving | John Rutter, Orchestra of the Music Makers, Tzelaw Chan | D Major | 2 | 10B | 139 BPM | ||
| Ancient Airs & Dances, Suite I, P. 109: I. Balletto detto "Il conte Orlando" (Molinaro) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 120 BPM | ||
| Little Tragedies, Chapter 2 "Egyptian Nights": Waltz No. 1 | Alfred Schnittke, Rundfunk-Sinfonieorchester Berlin, Vladimir Jurowski | D Major | 0 | 10B | 96 BPM | ||
| 4 Characteristic Waltzes, Op. 22: No. 1 Valse Bohemienne | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | E Minor | 1 | 9A | 81 BPM | ||
| Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM | ||
| Mendelssohn, Fanny: 6 Lieder, Op. 7, No. 2 Erwin | Fanny Mendelssohn, Maria Ioudenitch, Kenny Broberg | E♭ Major | 2 | 5B | 109 BPM | ||
| Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
| Palladio Reimagined: 2. Largo | Karl Jenkins, Royal Philharmonic Orchestra | E♭ Major | 2 | 5B | 87 BPM | ||
| Symphony No. 2 in E Minor: IV. Finale. Allegro vivace | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | E Minor | 1 | 9A | 110 BPM | ||
| Concerto in B Minor, RV 580 (Adapt. for 4 Mandolins, Strings and Continuo): I. Allegro | Antonio Vivaldi, Avi Avital, Il Giardino Armonico, Giovanni Antonini | B Minor | 4 | 10A | 117 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| Life Cycle | Oliver Davis, Royal Philharmonic Orchestra, Julian Kershaw, Benjamin Baker | E♭ Major | 0 | 5B | 74 BPM | ||
| Pinocchio: V. Il sorriso di Arlecchino | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova | D Minor | 2 | 7A | 85 BPM | ||
| Callirhoé, suite de ballet: IV. Pas des cymbales | Cécile Chaminade, Orchestre national de Metz Grand Est, David Reiland | G Major | 1 | 9B | 134 BPM | ||
| Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 3 | 9B | 78 BPM | ||
| Egeria, Op. 35 - Duo-Art 71566 | Ernest Richard Kroeger, Robert Armbruster, Peter Phillips | E Major | 1 | 12B | 87 BPM |