- BPM
- 90
- Key
- B Minor
- Camelot
- 10A
I. Identity (Live) by James MacMillan, Stephen F. Austin State University A Cappella Choir, Michael Murphy Song Details
"I. Identity (Live)" by James MacMillan, Stephen F. Austin State University A Cappella Choir, Michael Murphy had its release date on January 13, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 2022 Texas Music Educators Association: Stephen F. Austin State University A Cappella Choir (Live), so we believe that "I. Identity (Live)" is a single. In terms of popularity, I. Identity (Live) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of I. Identity (Live) by James MacMillan, Stephen F. Austin State University A Cappella Choir, Michael Murphy is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -31.267 dB
- Acousticness
- 96%
- Danceability
- 11%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 85%
- Loudness
- 48%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 139 BPM | |
 | Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D♭ Major | 3 | 3B | 138 BPM | |
 | Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | |
 | Messe Solennelle: Kyrie | Louis Vierne, The Choir of Canterbury Cathedral, David Flood | F Major | 1 | 7B | 170 BPM | |
 | Collegium Regale Service, Evensong: II. Nunc dimittis | Herbert Howells, Stephen Layton, Owain Park, Jamie Roberts, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 84 BPM | |
 | Sanctus, sanctus, sanctus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | D Minor | 0 | 7A | 79 BPM | |
 | The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | |
 | Sing Praise to Our Creator | Basilica of the National Shrine of the Immaculate Conception Choir | F Major | 2 | 7B | 74 BPM | |
 | To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | |
 | St Anne’s Mass: II. Gloria | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 78 BPM | |
 | A New Song | James MacMillan, The Choir of Magdalen College, Oxford, Alexander Pott, Mark Williams | F♯ Minor | 1 | 11A | 82 BPM | |
 | For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | A Major | 1 | 11B | 70 BPM | |
 | Mass in Es, Kyrie | Josef Rheinberger, State Choir Latvija, Māris Sirmais | A♭ Major | 0 | 4B | 104 BPM | |
 | I Sing of a Maiden | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | |
 | Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | |
 | Where All Roses Go | Michael McGlynn, Apollo5 | B Minor | 1 | 10A | 73 BPM | |
 | Magnificat (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 97 BPM | |
 | Tenebrae factae sunt à 4 | Blasius Amon, Huelgas Ensemble, Paul Van Nevel | F Major | 1 | 7B | 84 BPM | |
 | Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | |
 | 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | |
 | Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | |
 | Quando corpus morietur | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | B Minor | 0 | 10A | 173 BPM | |
 | Ave, dulcissima Maria | Carlo Gesualdo, The Monteverdi Choir, Jonathan Sells | D Minor | 2 | 7A | 74 BPM | |
 | Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | |
 | A Child's Prayer | James MacMillan, Rakel Edda Guðmundsdóttir, Ragnheiður Sara Grímsdóttir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | E Minor | 1 | 9A | 129 BPM |
- ISRC
- USVZX2211909
- Label
- L-M Records/RCA Records