"Because The End Is Really The Beginning" by The Comet Is Coming had its release date on March 15, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Trust In The Lifeforce Of The Deep Mystery". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Because The End Is Really The Beginning is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Because The End Is Really The Beginning by The Comet Is Coming having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Ephraim | Brad Mehldau | C Major | 4 | 8B | 126 BPM | ||
| In Death Valley | Tim Hecker | D Minor | 6 | 7A | 74 BPM | ||
| End of Earth | The Comet Is Coming | G Major | 10 | 9B | 115 BPM | ||
| CODE | The Comet Is Coming | F Major | 9 | 7B | 113 BPM | ||
| Since You Asked Kindly | BADBADNOTGOOD | C Minor | 7 | 5A | 136 BPM | ||
| Ensenada | Bennie Maupin | A Minor | 4 | 8A | 115 BPM | ||
| Natty | Shabaka and the Ancestors | F♯ Major | 5 | 2B | 121 BPM | ||
| Reading a Wave | Arp | E♭ Major | 5 | 5B | 117 BPM | ||
| Closing Credits | The Comet Is Coming | A♭ Major | 7 | 4B | 92 BPM | ||
| The Crying Pill | Matmos | D♭ Major | 7 | 3B | 160 BPM | ||
| Velvet Owl | Amon Tobin | C Major | 4 | 8B | 145 BPM | ||
| Wringer | Mammal Hands | F♯ Major | 3 | 2B | 87 BPM | ||
| Icy Roads (Stacked) | Joe Armon-Jones | B♭ Minor | 6 | 3A | 127 BPM | ||
| Entrando Al Cuarto De La Duda | Mabe Fratti, Mito del Desierto | C Major | 4 | 8B | 131 BPM | ||
| Zalatwic | Nate Mercereau | B Minor | 8 | 10A | 110 BPM | ||
| (lose) | Jameszoo, Metropole Orkest, Jules Buckley | B♭ Major | 4 | 6B | 112 BPM | ||
| ’Til The Freedom Comes Home | Shabaka and the Ancestors | A Minor | 6 | 8A | 91 BPM | ||
| The Coming Of The Strange Ones | Shabaka and the Ancestors | D♭ Major | 7 | 3B | 72 BPM | ||
| Long Stories | Amon Tobin | B Major | 2 | 1B | 73 BPM | ||
| Throughout The Madness, Stay Strong | Sons Of Kemet | D♭ Major | 7 | 3B | 122 BPM | ||
| Allé Sauvage | Beak> | A Major | 9 | 11B | 148 BPM | ||
| Childhood / Land of the Young | Yair Elazar Glotman, Jóhann Jóhannsson, Robert Aiki Aubrey Lowe, Else Torp, Kate Macoboy, Viktor Orri Árnason, Budapest Art Orchestra | F Major | 1 | 7B | 90 BPM | ||
| No Más | Irreversible Entanglements, Aquiles Navarro | D♭ Major | 7 | 3B | 119 BPM | ||
| TECHNICOLOUR | The Comet Is Coming | F Major | 9 | 7B | 113 BPM | ||
| Autowave | Kelly Moran | A Minor | 7 | 8A | 89 BPM |