On March 3, 1987, the song "Telepathy" was released by Deborah Allen. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Telepathy (Expanded Edition)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Telepathy is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Telepathy by Deborah Allen having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Was Country When Country Wasn't Cool - Live At The Roy Acuff Theater Nashville, TN, 1981 | Barbara Mandrell, George Jones | C Major | 4 | 8B | 105 BPM | ||
| Makin' Believe | The Kendalls | D Major | 4 | 10B | 117 BPM | ||
| Heartache and a Half | Deborah Allen | E Major | 5 | 12B | 206 BPM | ||
| Mirage | Sylvia | B Minor | 4 | 10A | 122 BPM | ||
| Tennessee Flat Top Box | Rosanne Cash | F Minor | 6 | 4A | 98 BPM | ||
| All I Have To Offer You Is Me | McBride & The Ride | A♭ Major | 3 | 4B | 95 BPM | ||
| (You Bring Out) The Wild Side Of Me | Dan Seals | G Major | 2 | 9B | 116 BPM | ||
| Maybe I Mean Yes | Holly Dunn | B♭ Major | 7 | 6B | 178 BPM | ||
| When the Thought of You Catches up with Me | David Ball | G Major | 3 | 9B | 91 BPM | ||
| I Fell in Love Again Last Night | The Forester Sisters | D♭ Major | 5 | 3B | 107 BPM | ||
| You'e the Reason God Made Oklahoma | David Frizzell, Shelly West | A Major | 4 | 11B | 97 BPM | ||
| Going, Going, Gone | Lee Greenwood | E Major | 1 | 12B | 67 BPM | ||
| (It's Always Gonna Be) Someday | Holly Dunn | B♭ Major | 3 | 6B | 95 BPM | ||
| Wilder Days | Baillie & The Boys | A♭ Major | 5 | 4B | 125 BPM | ||
| Who Do You Know In California | Eddy Raven | A Major | 6 | 11B | 118 BPM | ||
| Tumbleweed | Sylvia | A♭ Major | 3 | 4B | 97 BPM | ||
| Pickin' up Strangers | Johnny Lee | D Minor | 3 | 7A | 135 BPM | ||
| That's How You Know When Love's Right | Nicolette Larson, Steve Wariner | A♭ Major | 2 | 4B | 84 BPM | ||
| The Very Best Is You | Charly McClain | E Major | 3 | 12B | 175 BPM | ||
| Aces | Suzy Bogguss | E♭ Major | 5 | 5B | 133 BPM | ||
| You And I | Eddie Rabbitt, Crystal Gayle | F Major | 3 | 7B | 164 BPM | ||
| Raisin: Not Anymore | Judd Woldin, Joe Morton, Ernestine Jackson, Deborah Allen, Virginia Capers, Howard Roberts | F Major | 3 | 7B | 93 BPM | ||
| Not On Your Love | Jeff Carson | F♯ Major | 5 | 2B | 86 BPM | ||
| 'Til I Loved You | Restless Heart | B Major | 2 | 1B | 130 BPM | ||
| Someone Else's Trouble Now | Highway 101 | B Major | 8 | 1B | 98 BPM |